valley of blood
the northern highlands of guatemala are achingly beautiful, verdant tropical valleys and majestic mountains wreathed in clouds, where Mayan Indian peoples have planted maize and cultivated their milpas for centuries. But between 1978 and 1985 these green valleys ran red with blood. ….
the roots of these modern massacres stretch back to the spanish conquest, …
ostensibly white, many ladinos are in fact mestizos, …
the modern roots of la violencia of the 1980 can be found in the aborted ‘revolution” of 1944-54, which challenged ladino control on Indian lands and labor, and in the brutal repression that followed.
as a result of these atrocities, as many as one million guatemalans—out of a population of only nine million–may have fled their homes.
Americas: The Changing Face of Latin America and the Caribbean Winn, Peter Published by: Pantheon Books 1993
pp 263-270 … in retrospect it might seem that latin america as well as other third world newly formed countries after world war ii including india and vietnam and korea etc. were creating new millenium ‘babies’ with each ‘new’ country formed … all for the judeo-christiab year 2000 new millennium celebration …
still others fled guatemala altogether, seeking safe havens abroad….”when we crossed the border we looked like ghosts, hoping to start a new life i a different world.” …another two hundred thousand guatemalans did not stop until they have arrived in the very different world of europe and the united states. …. and most refugees have remained in exile to this day.
im the wake of la violencia, guatemala’s indians confronted an altered soccial and cultural landscape. ….with the support of the military and foreign funding, evangelical protestants who opposed mayan culture were making inroads among traumatized indians. at the same time, the younger generqtion of maya were being educated in schools that inculcated the national ladino culture and drawn to the international youth culture available on televison screens and cassette players. the elders who had been the keepers of mayan beliefs and vales were dying without passing on their knowledge or skills. the survival of mayan culture itself seemed at stake.
but the ethnic violence that weakened local communities also created an increased awareness of their common identity as mayas.in Guatemala this had led to the emergence of a new ethnic nationalism. until recently, ‘the maya’ as an ethnic group existed only for archaeologists, tourists, and historians. the descendants of the ancient maya, speakers of twenty-three separate languages, identified instead with their community, or at most with their linguistic group–quiche or cakchiquel–while ladino society dammned them all as “indians”. for centuries, quiches and cakchiquels have been enemies, but in the face of the violence both have suffered at the hands of the ladino-led army, these ancient rivalries have lost their strength. “in the resistance communities,” said francisco cali, himself a cakchiquel leader, ‘it makes no difference whether you are quiche or cakchiquel. you are all mayas trying to survive together.’
the emergence of a broader pan-Mayan identity that would unite both quiches and cakchiquels is a striking development of the past decade in Guatemala–one that is not confined to refugees or isolated mountains and jungles. since the return to civilian rule, guatemala has witnessed a new mayan studies movement created by mayan social scientists, linguists, and teachers at universities and research centers. some focus on the study of mayan languages, othres on the creation af a mayan development strategy, still others on taping the aging bearers of mayan traditions before they pass on.
today, the maya cutural resurgence in Guatemala is palpable….
Richard 4.0 out of 5 starsKindle edition of “The Tragic Sense of Life” September 24, 2012 Format: Kindle EditionVerified Purchase For me, this book has many fascinations. I particularly liked the passion and sense of urgency with which Unamuno infused his text. His strong feelings have an impact even a hundred years after he wrote the work. It’s in two parts. In the first he discusses the gap between the promise and potential of life and the limitations and restraints that confront us, chief among which are the fences that rational thinking puts around us. He says that everyone’s greatest wish is for immortality, yet our everyday minds tell us that this is impossible to achieve, hence the “tragic sense of life”. The second part, offers his solution — a version of the Christian faith that affirms basic teachings of the Bible and the church. In some instances, though, he goes his own way, particularly in his discussion of consciousness and, if I’m not mistaken, in hints that people achieve their own salvations. While it is a joy for me to read a strong defence of a spiritual approach to life, which I would read it again for the sake of the passion and intelligence of discussion,I consider this work a door-opener for pilgrims rather than a final resting point.
Bùi Trang
Published on Jul 20, 2015
SUBSCRIBE 1
Category
People & Blogs
the band (under the stripes decorations
Description English: Barber shop in Torquay, Devon. Deutsch: Friseurladen in Torquay, Devon, mit “Barbers pole”. Date Summer 07 Source Own work Author Alex1011 Licensing Edit I, the copyright holder of this work, hereby publish it under the following licenses: w:en:Creative Commons attribution share alike This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. You are free: to share – to copy, distribute and transmit the work to remix – to adapt the work Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. You may select the license of your choice. A barber’s pole is a type of sign used by barbers to signify the place or shop where they perform their craft. The trade sign is, by a tradition dating back to the Middle Ages, a staff or pole with a helix of colored stripes (often red and white in many countries, but usually red, white and blue in the United States). The pole may be stationary or may revolve, often with the aid of an electric motor.[1][2] A “barber’s pole” with a helical stripe is a familiar sight, and is used as a secondary metaphor to describe objects in many other contexts. For example, if the shaft or tower of a lighthouse has been painted with a helical stripe as a daymark, the lighthouse could be described as having been painted in “barber’s pole” colors. Likewise, borders may be marked and warnings highlighted. Origin in barbering and surgery During medieval times, barbers performed surgery on customers, as well as tooth extractions. The original pole had a brass wash basin at the top (representing the vessel in which leeches were kept) and bottom (representing the basin that received the blood). The pole itself represents the staff that the patient gripped during the procedure to encourage blood flow.[3] Use in prostitution In South Korea, barber’s poles are used both for actual barbershops and for brothels.[13] Brothels disguised as barbershops, referred to as 이발소 (ibalso) or 미용실 (miyongsil), are more likely to use two poles next to each other, often spinning in opposite directions, though the use of a single pole for the same reason is also quite common.[14] Actual barbershops, or 미용실 (miyongsil), are more likely to be hair salons; to avoid confusion, they will usually use a pole that shows a picture of a woman with flowing hair on it with the words hair salon written on the pole.co^ lan said when first learned about die^~m or die^n ho^`ng “oh co^ na`y la` co^ ca(‘t to’c ma`”) supports her but they sort of just unexcitedly (bar humbug) ignore (so does the hard-working catering staff) her except for one man who eventually gives in and comes out to wave a hand fan (eisntein equivalence principle and bible “in the image”: “túp lều lý tưởng” is equivalent to thằng bờm’s quạt mo fan) feverishly …
Luu Thuy, the contributor of the following folk song, wrote me: “Phu ong is a special imaginary character in folktales. He is a little fellow who is very dull. People often give the name Bom to someone who is stupid and naive. Phu ong is an old word that means rich man. This humorous story wants to tell also about the stupidity of the rich man.
This folk-song is quite famous all over the country. And mothers or grandmothers sing it to lull their little babies to sleep.”
Thằng Bờm có cái quạt mo
Little Fellow Bom
Folk Song
Folk Song
(Vietnamese)
(English)
Thằng Bờm có cái quạt mo,
Phú ông xin đổi ba bò chín trâu.
Bờm rằng: Bờm chẳng lấy trâu.
Phú ông xin đổi một xâu cá mè.
Bờm rằng: Bờm chẳng lấy mè.
Phú ông xin đổi một bè gỗ lim.
Bờm rằng: Bờm chẳng lấy lim.
Phú ông xin đổi con chim đồi mồi.
Bờm rằng: Bờm chẳng lấy mồi.
Phú ông xin đổi nắm xôi, Bờm cười.
Little fellow Bom has an areca spathe fan*,
Phu ong begs him to exchange it for three oxen and nine buffalos,
Bom says that Bom does not want to take them.
Phu ong begs him to exchange it for a dozen fish**,
Bom says that Bom does not want to take them.
Phu ong begs him to exchange it for a raft of ironwood,
Bom says that Bom does not want to take it
Phu ong begs him to exchange it for a couple of birds,
Bom says that Bom does not want to take them.
Phu ong begs him to exchange it for a handful of sticky rice,
Bom accepts at once with a happy smile.
Notes
* “This fan was very common in the past. In fact, it is a part of a leaf from a tree called areca tree. In this case, the story is funny because he is only a poor guy and he has a fan (which is very common and very easy to get), but Phu Ong, the rich but stupid man, absolutely wants to get it by exchanging for it anything he can afford.”
** “In the past, even now, some fishers go fishing and then when they get some fish, they take a string, put their spoils (fish) together with the string and go to the market or go home proudly.”
ummary Edit Zhuge Liang（諸葛亮）was one of the greatest strategists of post-Han China, as well as a statesman, engineer, scholar. This image was carried on the book which is called “Wan hsiao tang-Chu chuang -Hua chuan（晩笑堂竹荘畫傳） ” which was published in 1921（民国十年）. Licensing Edit Public domain This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less. Dialog-warning.svg You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d’Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information). This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights One famous line of poem, “Who is the first, awakened from the Great Dream? As always, I’m the one who knows.” (Chinese: 大梦谁先觉？平生我自知.; pinyin: dà mèng shuí xiān jué ? píng shēng wǒ zì zhī), was also attributed to Zhuge Liang. “Without modest simplicity, one cannot brighten volition; Without tranquility and serenity, one cannot reach far” (Chinese: 非淡泊无以明志，非宁静无以致远), a well-known maxim authored by Zhuge Liang, has been popular in educational institutions in China for thousands of years. The wisdom of Zhuge Liang was popularised by the historical novel Romance of the Three Kingdoms, written by Luo Guanzhong during the Ming dynasty. In it, Zhuge Liang is described to be able to perform fantastical achievements such as summoning advantageous winds and devising magical stone mazes. There is great confusion on whether the stories are historical or fictional. At least, the Empty Fort Strategy is based on historical records, albeit not attributed to Zhuge Liang historically.[3] For Chinese people, the question is largely irrelevant, as the Zhuge Liang of lore is regardless seen as a mastermind, whose examples continue to influence many layers of Chinese society. Zhuge Liang (pronunciation in Standard Mandarin: [ʈʂú.kɤ̀ ljâŋ] (About this soundlisten); 181–234),[2] courtesy name Kongming, was a Chinese politician, military strategist, writer, engineer and inventor. He served as the chancellor and regent of the state of Shu Han during the Three Kingdoms period.The Japanese word kamikaze is usually translated as “divine wind” (kami is the word for “god”, “spirit”, or “divinity”, and kaze for “wind”). The word originated from Makurakotoba of waka poetry modifying “Ise“[8] and has been used since August 1281 to refer to the major typhoons that dispersed Mongol-Koryo fleets who invaded Japanunder Kublai Khan in 1274.[9][10]
A Japanese monoplane that made a record-breaking flight from Tokyo to London in 1937 for the Asahi newspaper group was named Kamikaze. She was a prototype for the Mitsubishi Ki-15 (“Babs”).[11]
In Japanese, the formal term used for units carrying out suicide attacks during 1944–1945 is tokushu kōgekitai (特別攻撃隊), which literally means “special attack unit”.
If you can empty your mind of all thoughts
your heart will embrace the tranquility of peace.
Watch the workings of all of creation,
but contemplate their return to the source.
All creatures in the universe
return to the point where they began.
Returning to the source is tranquility
because we submit to Heaven’s mandate.
Returning to Heaven’s mandate is called being constant.
Knowing the constant is called ‘enlightenment’.
Not knowing the constant is the source of evil deeds
because we have no roots.
By knowing the constant we can accept things as they are.
By accepting things as they are, we become impartial.
By being impartial, we become one with Heaven.
By being one with Heaven, we become one with Tao.
Being one with Tao, we are no longer concerned about
losing our life because we know the Tao is constant
and we are one with Tao.
lao-tzu’s tao te ching translated by j h mcdonald … see average weather curve and standing wave (in contrast to traveling waves) illustrations below for how “the TAO is constant”
orientals do make communion (confucius tu tề trị bình đạt are equivalent to communion … communion with thân gia quốc thiên hạ cái TAO …
Karma-Yoga & Bhakti-Yoga Want to Read Rate this book 1 of 5 stars2 of 5 stars3 of 5 stars4 of 5 stars5 of 5 stars Open Preview Karma-Yoga & Bhakti-Yoga by Swami Vivekananda 4.33 · Rating details · 289 ratings · 10 reviews By Swami Vivekananda, Karma-Yoga and Bhakti-Yoga describes the way to reach perfection through the performance of daily work in a non-attached spirit (i.e. Karma-Yoga – the path of selfless action) and by sublimating human affection into divine love (i.e. Bhakti-Yoga – the path of divine love). Karma-Yoga and Bhakti-Yoga, along with Jnna-Yoga and Rja-Yoga, are considered classics and outstanding treatises on Hindu philosophy. Swami Vivekananda’s deep spiritual insight, fervid eloquence, and broad human sympathy shine forth in these works and offer inspiration to all spiritual seekers.
) with what western science and religion want to make communion () with but often usually only as a last resort ( compare book of job god speaking out of the clouds tv co dau 8 tuoi anandi asked her rewcuer what did he tell the horse to calm it down suggesting somemother people prefer communion with animals
Doctor Dolittle loves animals. In fact, he loves animals so much that his cozy cottage in Puddleby-on-the-Marsh is bursting with pets: goldfish in the pond, rabbits in the pantry, white mice in the piano, a squirrel in the linen closet, a hedgehog in the cellar, not to mention a horse, chickens and pigeons, two lambs, and many others. But his favorite pets by far are Dab-Dab the duck, Jip the dog, Gub-Gub the baby pig, Polynesia the parrot, and Too-Too the owl. It’s no wonder no human patients will visit the good doctor–it’s too crowded! But soon Doctor Dolittle’s fame as an animal doctor spreads far and wide–all the way to Africa, where a village of sick monkeys needs Doctor Dolittle’s help!
dahlia was reading an electronic book about a child who is a vet … when audrey was here she talked about steve irwin and we watched coyote peterson in south america communion with spiders … elsewhere treehoppers
Mini Monsters of Amazonia | 1 x 60 Factual Produced in association with CBC’s The Nature of Things, Mini Monsters of Amazonia is a groundbreaking scientific / adventure documentary special that follows a group of international scientists to Ecuador, the most complex bio-diverse region on the planet. Our team of experts will, for the first time, reveal the unexplained mysteries of the treehoppers – also referred to as “mini-monsters.” Now under the threat of extinction, treehoppers are one of the most incredibly complex, long living survivors that nature has ever produced. While they may appear to be bizarre mini-monsters to some, they are absolute masterpieces of biodiversity to others, poorly understood by the world’s scientific community. Being both rare and difficult to find, they have been inadequately studied, rarely photographed, and never been filmed for television. The search and discovery of these mysterious insects will be recorded with sophisticated macro-photographic techniques to create a premier event, in both film and scientific domains. Breakthrough Entertainment/Mona Lisa Production co-production in association with CBC’s Nature of Things (Canada) and Arte (France) Distributed by Breakthrough Entertainment.
Mini Monsters of Amazonia (2009 TV Movie)
Plot
Showing all 1 items
Jump to: Summaries (1)
Summaries
This documentary looks into the mini world of membracidae insects, also known as Treehoppers, living in Amazonia. A team of bug scientists take a look at these little creatures, many smaller than 6 mm, to reveal the complex relationships between these species and their environments. These tiny evolutionary marvels have existed for approximately 40 million years and continue to survive by mimicking the ecosystem around them. Taking on forms well beyond our imagination, and looking like something from a science fiction world, the treehoppers are captured through the camera’s lens and through special audio recording, revealing a few unexplained mysteries of nature.
—Janal
) and usually a one-time supposedly non-repeating event that as can be seen in above two examples to be repeating event whose repetitiveness has been “hidden” by human (walls, divisions etc) and humane forgetfulness …
historical yearly temperature for dublin, ca
western science like to observe it manually controllable repeatability (ecclesiates ‘the sun sets and the sun also rises and there’s nothing new under the sun’ repeatability would correspond to the average weather curve in above illustration whereas the kamikaze khong minh zhuge liang butterfly effect would correspond to variations around the average/norm in same illustration above ‘everyday is a different day even if there’s nothing new something some arrangement of old things is different for example’ …. dahlia suggests “there’s always tomorrow” …) ..:
see previous note about how humanity might decide to “keep” the four conditions (correspond to space and time and form and the average curve in above weather illustration while what would correspond to the variations around the norm/average would be the ‘constant’ [TAO] or ‘eternal’ being beyond untouched by the ‘average’ [yet would eventually be “kept” by the variations if only as a sort of guide or else to fulfil ‘in the image’ entropy original sin of creating a world of souls/uniquenesses/differences instead of a point-like singularity) four conditions siddhartha witnessed at the gates timeless formless outside of time and form eternal forever …
tv hoa`i linh or someone to girl actress ‘sao la.i chu+?a hoang’ … related in rhyme chu+a hoang suggest not yet wild/variations …
black standing wave blue and red traveling wavesblue standing wave red and green traveling waves
) Siddhartha observe at the gates of his palace even if one day (biblical “in the image: says “one day” is actually “now” …) humanity was able to overcome (sleep is an ordinary example) siddhartha’s four conditions at his palace gate (which –like the flaming sword at the gate of eden paradise in bible genesis –sort of form the boundary between the hormonal and non-hormonal world
The Creation of Adam is a fresco painting by Michelangelo, which forms part of the Sistine Chapel’s ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God breathes life into Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.Michelangelo-Forbidden_fruit the fall from http://www.italian-renaissance-art.com/images/Michelangelo-Forbidden_frui.jpg
) because humanity might very well figure that well the world as is is the best of all possible world (considering the original sin of creating a world with souls/uniquenesses/differences instead of a point-like singularity) …
Peter Green’s Fleetwood Mac – Oh Well
227,984 views
663
11
SHARE
SAVE
HoneyboyWalter
Published on Apr 12, 2010
SUBSCRIBE 14K
Peter Green’s Fleetwood Mac play ‘Oh Well’ live in 1969.Early Fleetwood Mac. HD
Category
Music
Suggested by HAAWK for a 3rd Party
Monetize Your Music Today!
Music in this video
Learn more
Song
Check Mate
Artist
Theo Maximo
Album
Lattitude
Licensed to YouTube by
HAAWK for a 3rd Party; HAAWK Publishing
you can see on the one hand the generation that had gotten over their hormone period (of course they must have been under the same hormonal influence in their time to have given birth to the current younger singer star but have yielded the stage to younger folks: of course regardless of their ages and generation everyone needs hormone of the right type/kind at the right place/time spacetime point for proper functioning of the human machine or human temple) and the generation yet under the influence of hormone …
A nerd is a person seen as overly intellectual, obsessive, introverted or lacking social skills. Such a person may spend inordinate amounts of time on unpopular, little known, or non-mainstream activities, which are generally either highly technical, abstract, or relating to topics of science fiction or fantasy, to the exclusion of more mainstream activities.[1][2][3] Additionally, many so-called nerds are described as being shy, quirky, pedantic, and unattractive.[4]
Originally derogatory, the term “nerd” was a stereotype, but as with other pejoratives, it has been reclaimed and redefined by some as a term of pride and group identity.
Etymology
The first documented appearance of the word nerd is as the name of a creature in Dr. Seuss‘s book If I Ran the Zoo (1950), in which the narrator Gerald McGrew claims that he would collect “a Nerkle, a Nerd, and a Seersucker too” for his imaginary zoo.[3][5][6] The slang meaning of the term dates to 1951.[7]That year, Newsweek magazine reported on its popular use as a synonym for drip or square in Detroit, Michigan.[8] By the early 1960s, usage of the term had spread throughout the United States, and even as far as Scotland.[9][10][non-primary source needed] At some point, the word took on connotations of bookishness and social ineptitude.[5]
An alternate spelling,[11] as nurd or gnurd, also began to appear in the mid-1960s or early 1970s.[12] Author Philip K. Dick claimed to have coined the “nurd” spelling in 1973, but its first recorded use appeared in a 1965 student publication at Rensselaer Polytechnic Institute (RPI).[13][14]Oral tradition there holds that the word is derived from knurd (drunk spelled backward), which was used to describe people who studied rather than partied. The term gnurd (spelled with the “g”) was in use at the Massachusetts Institute of Technology(MIT) by 1965.[15] The term “nurd” was also in use at the Massachusetts Institute of Technology as early as 1971.[16][non-primary source needed]
According to Online Etymology Dictionary, the word is an alteration of the 1940s term “nert” (meaning “stupid or crazy person”), which is itself an alteration of “nut” (nutcase).[7]
The term was popularized in the 1970s by its heavy use in the sitcomHappy Days.[17]
dahlia went to birthday party of her friend grace and receive this dr seuss book and dahlia could read it after hearing another person read it … happy birthday to tôn định also …
), which is itself an alteration of “nut” (nutcase).[7]
The term was popularized in the 1970s by its heavy use in the sitcom Happy Days.[17]
you can move in and out between the two worlds–hormone and non-hormone–at will by affirming “it’s all good” and by realizing that không lao cách này thì lao cách kia if not diligence for this then diligence for that … hopefully you will choose diligence for the best of both worlds hopefully you will choose diligence for “you’re ok/well; i’m ok/well” “muôn loài được bình thường sống lâu; everyone live well and long” …)
Bob Dylan’s “Forever Young”
815,913 views
1.9K
76
SHARE
SAVE
Simon & Schuster Books
Published on Jun 3, 2009
SUBSCRIBE 51K
Learn more about Forever Young at http://books.simonandschuster.com/For… Look inside the pages of Bob Dylan’s “Forever Young” and listen to the singer perform.
Category
Music
anyway (“an ‘your way'”), …
thằng bờm is a type of nerd … an eastern (here vietnamese-style influenced by lao-tzu-confucius and buddhist traditions) nerd …
the west has its own version of thằng bờm nerd but instead of hand fan quat mo they have science … they have a yearning to commune (communion) with things like god or tha^`n linh or the future or the “spirit” (“man does not live by bread alone”) or a goal such as “you’re ok/well; i’m ok/well” etc … that can solve/nullify siddhartha’s problems at the four gates … that can implement “man must outlast/endure the going hence even as the coming hither; ripeness is all” … they have a yearning for eternity and somehow (perhaps keeping them on the straight and narrow track (why do you complain of the smote in your brother’s eyes and not see the -lank in your own eye) just like thằng bờm’s specific/unique choice keeps bờm on the straight and narrow
Steve Goodman – City Of New Orleans
254,519 views
1.6K
32
SHARE
SAVE
Jan Hammer
Published on Mar 16, 2012
SUBSCRIBE 35K
“City of New Orleans” is a folk song written by Steve Goodman (and first recorded for Goodman’s self-titled 1971 album), describing a train ride from Chicago to New Orleans via the Illinois Central Railroad in bittersweet and nostalgic terms. Goodman got the idea while traveling on the eponymous train for a visit to his wife’s family. He performed the song for Arlo Guthrie in the Quiet Knight, a bar in Chicago, and Guthrie agreed to add it to his repertoire. The song was a hit for Guthrie on his 1972 album Hobo’s Lullaby, and is now more closely associated with him, although Goodman performed it until his death in 1984. The song has also been covered by Willie Nelson, John Denver, Johnny Cash, The Country Gentlemen, Judy Collins, Jerry Reed, Chet Atkins, Sammi Smith, Hank Snow, Gerard Cox, Rudi Carell, Joe Dassin, Richard Clayderman and others.
Steve Goodman won a posthumous Grammy Award for Best Country Song at the 27th Grammy Awards in 1985 for Willie Nelson’s version, which was included on his 1984 album of the same name. It reached #1 on both the Billboard Hot Country Singles chart in the United States and the RPM Country Tracks chart in Canada
The Old Grey Whistle Test (usually abbreviated to Whistle Test or OGWT) was an influential BBC2 television music show that ran from 1971 to 1987. It took over the BBC2 late night slot from “Disco Two”, which had been running since January 1970, while continuing to feature non-chart music. It was devised by BBC producer Rowan Ayers. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys—doormen in grey suits. The songs they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test. I believe this video to be from Steve’s appearance on the show which aired on July 31, 1973.
Category
Music
) this yearning instead of making them discontented (“now is the winter of our discontent made glorious by this sun of york”) this yearning make them contented even as contented as thằng bờm …
Gian Lorenzo Bernini , Ecstasy of Saint Teresa, 1647–1652 Cornaro Chapel, Santa Maria della Vittoria, Rome
Cornaro chapel in Santa Maria della Vittoria in Rome HDR Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel The Ecstasy of Saint Teresa (alternatively Saint Teresa in Ecstasy or Transverberation of Saint Teresa; in Italian: L’Estasi di Santa Teresa or Santa Teresa in estasi) is the central sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. It pictures Teresa of Ávila. The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, ‘The Life of Teresa of Jesus’ (1515–1582). Her experience of religious ecstasy in her encounter with the angel is described as follows: I saw in his hand a long spear of gold, and at the iron’s point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.[4] The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove. The art historian Rudolf Wittkower has written: In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa’s vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.[5]
following examples (recent example being president washington and the weather business in previous note and the united states government active struggle to provide the “general welfare”
(Preamble) We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.
The Great Learning
By Confucius
Written ca. 500 B.C.E
What the great learning teaches, is to illustrate illustrious virtue; to renovate the people; and to rest in the highest excellence.
The point where to rest being known, the object of pursuit is then determined; and, that being determined, a calm unperturbedness may be attained to. To that calmness there will succeed a tranquil repose. In that repose there may be careful deliberation, and that deliberation will be followed by the attainment of the desired end.
Things have their root and their branches. Affairs have their end and their beginning. To know what is first and what is last will lead near to what is taught in the Great Learning.
The ancients who wished to illustrate illustrious virtue throughout the kingdom, first ordered well their own states. Wishing to order well their states, they first regulated their families. Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge. Such extension of knowledge lay in the investigation of things.
Things being investigated, knowledge became complete. Their knowledge being complete, their thoughts were sincere. Their thoughts being sincere, their hearts were then rectified. Their hearts being rectified, their persons were cultivated. Their persons being cultivated, their families were regulated. Their families being regulated, their states were rightly governed. Their states being rightly governed, the whole kingdom was made tranquil and happy.
From the Son of Heaven down to the mass of the people, all must consider the cultivation of the person the root of everything besides.
It cannot be, when the root is neglected, that what should spring from it will be well ordered. It never has been the case that what was of great importance has been slightly cared for, and, at the same time, that what was of slight importance has been greatly cared for.
for its citizenry by learning about nature’s weather to provide a bulwark thereof … compare recent tsunamis in indonesia and malaysia that went undetected when currently prediction might very well be within reach of such governments if they would only play a more active role) of western thằng bờm might very well be viewed as crazy hâm hâm dở dở ương ương (the same ương in “quê hương”) but it’s rooted in the universal … being an expression (another name) of the same “non-nerd” sinusoids and serpentine and curves of (entropy or original sin of creating a world with souls/uniquenesses/differences instead of a pint-like singularity that requires diligence at making a difference
Thương quá Việt Nam – Quang Linh
Thương Quá Việt Nam
Tác giả: Phạm Thế Mỹ
LỜI NHẠC
NGHE NHẠC
KARAOKE
COMMENT
Em nghe gì không hỡi em
Con chim nó hót vang đầu hè
Em thấy gì không hỡi em
Con chim nó múa trên cành tre
Hót đi chim, hót đi chim
Hót cho hồng mặt trời quê ta
Hót đi chim, hót đi chim
Hót cho đời nhọc nhằn trôi xa
Chim trên đồng chim trên non
Chim tung cánh xóa tan sương mù
Chim trong hồn chim trong tim
Ôi thương quá tiếng chim việt Nam
Hoa cúc vàng trên sân anh
Xinh như áo mới em ngày nào
Hoa nắng hồng trên quê anh
Xinh như má thắm em ngày xanh
Nắng lên đi, nắng lên đi
Nắng lên hồng nụ cười quê em
Nắng lên đi, nắng lên đi
Nắng lên hồng ruộng mạ xanh thêm
Hoa tim người hoa yêu thương
Hoa thơm ngát thế gian đêm buổn
Hoa trên đồi hoa trên môi
Ôi thương quá cánh hoa việt Nam
Trăng sáng ngời trên môi hoa
Trăng lên tiếng hát vui đêm già
Trăng sáng ngời trên non xa
Trăng xua bóng tối trong hồn ta
Sáng lên trăng, sáng lên trăng
Sáng cho ngưởi tìm về bên nhau
Sáng lên trăng, sáng lên trăng
Sáng cho tình ngưởi nở đêm sâu
Trăng muôn đời trăng muôn nơi
Trăng đem bóng mát cho muôn người
Trăng thanh bình trăng yên vui
Ôi thương quá ánh trăng Việt Nam
Bao nhiêu đèn bao nhiêu hoa
Bao nhiêu nến thắp lên trong hồn
Yêu quê Mẹ yêu quê Cha
Yêu luôn những mái tranh làng xa
Thắp tim lên thắp tim lên
Thắp cho tình người dậy trong ta
Thắp tim lên thắp tim lên
Thắp cho mặt trời dậy trong ta
Yêu thương người yêu thương ta
Yêu luôn những thú hoang rừng già
Yêu bạn bè như yêu ta
Ôi thương quá trái tim Việt Nam
Steve Goodman – City Of New Orleans 254,519 views 1.6K 32 SHARE SAVE Jan Hammer Published on Mar 16, 2012 SUBSCRIBE 35K “City of New Orleans” is a folk song written by Steve Goodman (and first recorded for Goodman’s self-titled 1971 album), describing a train ride from Chicago to New Orleans via the Illinois Central Railroad in bittersweet and nostalgic terms. Goodman got the idea while traveling on the eponymous train for a visit to his wife’s family. He performed the song for Arlo Guthrie in the Quiet Knight, a bar in Chicago, and Guthrie agreed to add it to his repertoire. The song was a hit for Guthrie on his 1972 album Hobo’s Lullaby, and is now more closely associated with him, although Goodman performed it until his death in 1984. The song has also been covered by Willie Nelson, John Denver, Johnny Cash, The Country Gentlemen, Judy Collins, Jerry Reed, Chet Atkins, Sammi Smith, Hank Snow, Gerard Cox, Rudi Carell, Joe Dassin, Richard Clayderman and others. Steve Goodman won a posthumous Grammy Award for Best Country Song at the 27th Grammy Awards in 1985 for Willie Nelson’s version, which was included on his 1984 album of the same name. It reached #1 on both the Billboard Hot Country Singles chart in the United States and the RPM Country Tracks chart in Canada The Old Grey Whistle Test (usually abbreviated to Whistle Test or OGWT) was an influential BBC2 television music show that ran from 1971 to 1987. It took over the BBC2 late night slot from “Disco Two”, which had been running since January 1970, while continuing to feature non-chart music. It was devised by BBC producer Rowan Ayers. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys—doormen in grey suits. The songs they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test. I believe this video to be from Steve’s appearance on the show which aired on July 31, 1973. Category Music
) all too human human sexuality …
john a day book of clouds See the sky as you never have before. Using a series of his awe-inspiring images, photographer and scientist John Day–who has a Ph.D. in cloud physics and is known round the world as “The Cloudman”–introduces us to earth’s great skyscape. His spectacular portfolio of pictures captures a variety of cloud forms and shapes, ranging from cottony-soft cumulus clouds to frightening, whirling funnels, as well as a number of optical effects seen in the heavens above. from http://blog.oregonlive.com/lifestories/2008/07/life_story_john_day.html: at age 95, he was both physicist and metaphysicist. He could speak of the science of clouds and of their beauty almost in the same breath. John Day was no science whiz as a child; his happiest childhood memories were of fishing near Pikes Peak. His mother made him take piano, and he worked his way through Colorado College as a pianist in a dance band. A major in physics and math, he called himself a mediocre student. The band played in Pueblo, Colo., one night, and there he and Mary Hyatt danced, talked for a long time, and exchanged addresses. They married in 1937. John got a job as an airport guide in the Bay Area and enjoyed standing at the dock watching the flying boats from the Philippines carrying passengers or airmail. He was Amelia Earhart’s driver for a day in Oakland. He signed on as a member of the first class at the Boeing School of Aeronautics in Oakland and went to work as a forecaster for Pan Am World Airways, helping provide weather forecasting for the flying boats, the Clippers. He had assignments in Hawaii, New Zealand, Australia, New Caledonia and Japan. War broke out. The U.S. Navy took over the company for transport and John became an instant lieutenant j.g. After the war, John decided on an academic career. He taught physics and meteorology at Oregon State and 10 years later got a Ph.D. in cloud physics. For two years, he worked at the University of Redlands in California, where he lived in the home of Joan Baez’s father and got to know the future star. John returned to Oregon in the late 1950s to a position at Linfield College and put down roots. He wrote a number of books, including textbooks, and co-authored several Peterson’s Field Guides. John and Mary had five children whom he regularly quizzed with questions such as “Now, why does fog form?” He helped start a continuing education program at Linfield, and considered that his greatest achievement. Upon official retirement in 1978, he began to write a weekly column for the McMinnville News Register, “Words on the Weather.” He wrote that column until last year. He also started projects: audiovisual cloud slide shows with music for hospitals. He started Day Photo, enlarging his pictures and framing them. He started Quiet Time Art Cards. He began hounding the Postal Service for a cloudscape series. He submitted several slides, and sure enough, one of his photographs was chosen as one of the 2004 “Cloudscape” stamp series. He helped create a Sky Watcher’s Cloud Chart which hangs all over the country, and in 2002, he wrote “The Book of Clouds,” a coffee-table book with plenty of his photos. John was a lifelong United Methodist and taught an adult Sunday school class for more than 40 years. But his own eclectic spiritual tastes included mystic Joel Goldsmith and philosopher Teilhard de Chardin. He was a longtime member and fundraiser for Care Resources Inc., an agency that helped provide medical aid to the poor. He was also such an idealist about human nature some called him “John Quixote.” He had an ongoing pen pal relationship with a prisoner, who could see up at the clouds, but not out. In the 1990s, he decided he didn’t need to learn how to use a computer. But his children pushed him, and in 1997, a daughter created a Web site for his cloud photos, newspaper column and a list of the top 10 reasons to watch clouds. “I’d like to be known as the Cloud Man,” he decided. So http://www.cloudman.com it became. To his delight, the Web site’s guest book was almost immediately filled with messages from kindred spirits around the world. John couldn’t get over the fact that the Web site gave him a worldwide audience to share his enthusiasm. The planet had become his classroom, and people everywhere were learning just how much they were missing when they did not “Look up and see!” You could even say he was on cloud nine.
Agape (Ancient Greekἀγάπη, agapē) is a Greco–Christian term referring to love, “the highest form of love, charity” and “the love of God for man and of man for God”.[1] The word is not to be confused with philia, brotherly love, as it embraces a universal, unconditional love that transcends and persists regardless of circumstance. The noun form first occurs in the Septuagint, but the verb form goes as far back as Homer, translated literally as affection, as in “greet with affection” and “show affection for the dead”.[2] Other ancient authors have used forms of the word to denote love of a spouse or family, or affection for a particular activity, in contrast to eros(an affection of a sexual nature).
Within Christianity, agape is considered to be the love originating from God or Christ for humankind.[3] In the New Testament, it refers to the covenant love of God for humans, as well as the human reciprocal love for God; the term necessarily extends to the love of one’s fellow man.[4] Some contemporary writers have sought to extend the use of agape into non-religious contexts.[5][6]
The concept of agape has been widely examined within its Christian context.[7]It has also been considered in the contexts of other religions,[8]religious ethics,[9] and science.[10]
Early uses
There are few instances of the word agape in polytheistic Greek literature. Bauer’s Lexicon mentions a sepulchral inscription, most likely to honor a polytheistic army officer held in “high esteem” by his country.[11]
A journalist in Time magazine describes John 3:16 as “one of the most famous and well-known Bible verses. It has been called the ‘Gospel in a nutshell’ because it is considered a summary of the central doctrines of Christianity.”
For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.
The word agape received a broader usage under later Christian writers as the word that specifically denoted Christian love or charity (1 Corinthians 13:1–8), or even God himself. The expression “God is love” (ὁ θεὸς ἀγάπη ἐστίν) occurs twice in the New Testament: 1 John4:8,16. Agape was also used by the early Christians to refer to the self-sacrificing love of God for humanity, which they were committed to reciprocating and practicing towards God and among one another (see kenosis).
Agape has been expounded on by many Christian writers in a specifically Christian context. C. S. Lewis uses agape in The Four Loves to describe what he believes is the highest level of love known to humanity: a selfless love that is passionately committed to the well-being of others.[12]
The Christian use of the term comes directly from the canonical Gospels‘ accounts of the teachings of Jesus. When asked what was the great commandment, “Jesus said unto him, Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind. This is the first and great commandment. And the second is like unto it, Thou shalt love thy neighbour as thyself. On these two commandments hang all the law and the prophets.” (Matthew 22:37-40) In Judaism, the first “love the LORD thy God” is part of the Shema.
You have heard that it was said, ‘You shall love (agapēseis) your neighbor and hate your enemy.’ But I say to you, Love (agapāte) your enemies and pray for those who persecute you, so that you may be sons of your Father who is in heaven; for he makes his sun rise on the evil and on the good, and sends rain on the just and on the unjust. For if you love those who love you, what reward have you?
Tertullian remarks in his 2nd century defense of Christians that Christian love attracted pagan notice: “What marks us in the eyes of our enemies is our loving kindness. ‘Only look,’ they say, ‘look how they love one another’ ” (Apology 39).
Anglican theologian O.C. Quick writes that this agape within human experience is “a very partial and rudimentary realization,” and that “in its pure form it is essentially divine.”
If we could imagine the love of one who loves men purely for their own sake, and not because of any need or desire of his own, purely desires their good, and yet loves them wholly, not for what at this moment they are, but for what he knows he can make of them because he made them, then we should have in our minds some true image of the love of the Father and Creator of mankind.[13]
In the New Testament, the word agape is often used to describe God’s love. However, other forms of the word are used in a negative context, such as the various forms of the verb agapaō. Examples include:
2 Timothy 4:10— “for Demas hath forsaken me, having loved [agapēsas] this present world…”.
John 12:43— “For they loved [ēgapēsan] the praise of men more than the praise of God.”
John 3:19— “And this is the condemnation, that light is come into the world, and men loved [ēgapēsan] darkness rather than light, because their deeds were evil.”
Karl Barth distinguishes agape from eros on the basis of its origin and unconditional character. In agape, humanity does not merely express its nature, but transcends it. Agape identifies with the interests of the neighbor “in utter independence of the question of his attractiveness” and with no expectation of reciprocity.[14]
The word agape is used in its plural form (agapai) in the New Testament to describe a meal or feast eaten by early Christians, as in Jude1:12 and 2nd Peter2:13.
H. G. Liddell; Robert Scott (October 2010). An Intermediate Greek-English Lexicon: Founded Upon the Seventh Edition of Liddell and Scott’s Greek-English Lexicon. Benediction Classics. p. 4. ISBN978-1-84902-626-0.
Henry George Liddell; Robert Scott (1901). A Lexicon Abridged from Liddell and Scott’s Greek-English Lexicon. Oxford : Clarendon Press. p. 6.
Oord, Thomas Jay (2010). Defining Love: A Philosophical, Scientific, and Theological Engagement. Grand Rapids, Mich.: Brazos Press. ISBN1-58743-257-9.
Nygren, Anders ([1938–39] 1953). Eros and Agape, Part I: A Study of the Christian Idea of Love; Part II The History of the Christian Idea of Love, trans. P.S. Watson. Harper & Row.
Grant, Colin (1996). “For the Love of God: Agape”. Journal of Religious Ethics. 4 (10): 3–21. JSTOR40016679.
From Post, Stephen G.et al.(2002). Altruism and Altruistic Love: Science, Philosophy, and Religion in Dialogue, Oxford: Contents.:
• Post, Stephen G. “The Tradition of Agape,” ch.4, pp. 51–68.
• Browning, Don S. “Science and Religion on the Nature of Love,” pp. 335–45.
Danker, Frederick William (2001). A Greek-English Lexicon of the New Testament and Other Early Christian Literature. University of Chicago Press.
peace out: all of this is to say that women and sex and serpents/dragons and babies and birthing and procreation and continuing the species should have no fear of being ignored by nerds or men or whatnot … all in due time … the sunsets and the sun also rises and there’s nothing new under the sun …
may “you’re ok/well; i’m ok/well” “muôn loài được bình thường sống lâu; everyone live well and long” …
Tom Jones – What’s New Pussycat? (1965) HQ the phrasing of this song sounds lố bịch stuck up but perhaps it means well and sometimes under circumstances of youth and comraderie and equal friendship and biological necessities etc. it might stri=uck a mote that’s just right …
124,805 views
785
55
SHARE
SAVE
MUNROWS RETRO
Published on Apr 7, 2015
SUBSCRIBE 90K
This was the second major American hit of 1965 for the charismatic pop singer from Wales, reaching #3 on Billboard, #2 on Cash Box, and #1 in Canada in August. Tom Jones, a virtual unknown at the time, took the UK and North America by storm early in the year with “It’s Not Unusual,” quickly becoming one of the most iconic singers of the 1960s.
Not since Elvis, Bobby Darin, or the Beatles a year earlier had a male star captured more attention and adoration. “What’s New Pussycat?” took many by surprise as a follow-up hit single, and is among my favorite Tom Jones songs.
This music video is from a live TV broadcast which I synchronized to the original hit single track, using a small part of that for the intro. Actions speak louder than words, watch words and action here … from one of the truly greatest pop singers, Tom Jones!
Category
Music
Music in this video
Learn more
Song
What’s New Pussycat?
Artist
Tom Jones
Writers
Hal David, Burt Bacharach
Licensed to YouTube by
SME (on behalf of Sony Classical); LatinAutor, LatinAutor – SonyATV, UBEM, EMI Music Publishing, CMRRA, and 5 Music Rights
sbtn anh đỗ dũng và mai thiên long discussing nose down nose up of beefed up boing 737 …
Lyrics
Listen as your day unfolds,
Challenge what the future holds
Try and keep your head up to the sky
Lovers, they may cause you tears
Go ahead release your fears,
Stand up and be counted
Don’t be ashamed to cry
You gotta be
You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day
Herald what your mother said
Read the books your father read
Try to solve the puzzles in your own sweet time
Some may have more cash than you
Others take a different view,
My oh my, heh, hey
You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day
Time asks no questions,
It goes on without you
Leaving you behind if you can’t stand the pace
The world keeps on spinning
Can’t stop it, if you try to
The best part is danger staring you in the face
Remember, listen as your day unfolds
Challenge what the future holds
Try and keep your head up to the sky
Lovers, they may cause you tears
Go ahead release your fears,
My oh my heh, hey, hey
You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day
You gotta be bad, you gotta be bold, you gotta be wiser
You gotta be hard, you gotta be tough, you gotta be stronger
You gotta be cool, you gotta be calm, you gotta stay together
All I know, all I know, love will save the day
Category
Music
Music in this video
Learn more
Song
You Gotta Be
Artist
Des’ree
Album
Whatever – The ’90s Pop & Culture (US Release)
Writers
Ashley Ingram, Des’ree
Licensed to YouTube by
SME (on behalf of Rhino (Pure)); LatinAutor, UMPG Publishing, LatinAutor – UMPG, UMPI, AMRA, Kobalt Music Publishing, LatinAutor – SonyATV, SOLAR Music Rights Management, CMRRA, UBEM, and 9 Music Rights Societies
that is to say for safety reasons: perhaps those bridges to nerds or to dâm bụt are not for you after all or else you have better bridges of your own: perhaps your life points in an entirely different direction and those bridges won’t take you where you want to go: by all means blaze your own path … which was the advice tôn an received upon graduation …
Artista: Sarah McLachlan Titolo: I Will Remember You Titolo Tradotto: Io Ti Ricorderò Testo di I Will Remember You Io ti ricorderò! Tu mi ricorderai? Non lasciare che la tua vita ti scorra addosso Non piangere per i ricordi Ricordi i bei momenti passati assieme? Li ho lasciati tranquilli lontano da noi quando le cose non andavano bene Come splendidamente ti ho visto per la prima volta mentre sorridevi nella luce del sole Voglio sentire il tuo calore su di me Io voglio essere la sola Io ti ricorderò! Tu mi ricorderai? Non lasciare che la tua vita passi senza che accorgertene Non piangere per i ricordi Sono così stanca ma non posso dormire In piedi sul baratro di qualcosa di troppo profondo È sorprendente il modo in cui ci siamo profondamente presi, ma non possiamo dire niente Noi stiamo gridando dentro Ma non possiamo essere sentiti Io ti ricorderò! Tu mi ricorderai? Non lasciare che la tua vita passi senza accorgertene Non piangere per i ricordi Sono talmente dispiaciuta di amarti Ma molto di più mi dispiace perderti Aggrappata ad un passato che non mi lascia possibilità di scelta Un tempo cera il buio La Notte più scura e profonda Mi hai dato tutto quello che avevi Oh tu mi hai dato la luce Ed Io ti ricorderò! Tu mi ricorderai? Non lasciare che la tua vita ti scorra addosso Non piangere per i ricordi Non rammaricarti dei ricordi
AdRev for a 3rd Party, SME, WMG (on behalf of Nettwerk Records); SOLAR Music Rights Management, CMRRA, LatinAutor – SonyATV, ASCAP, LatinAutor, AdRev Publishing, UBEM, Sony ATV Publishing, EMI Music Publishing, and 20 Music Rights Societies
may “you’re ok/well; i’lm ok/well” “muôn loài được bình thường sống lâu; everyone live well and long” …
![Description English: Barber shop in Torquay, Devon. Deutsch: Friseurladen in Torquay, Devon, mit "Barbers pole". Date Summer 07 Source Own work Author Alex1011 Licensing Edit I, the copyright holder of this work, hereby publish it under the following licenses: w:en:Creative Commons attribution share alike This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. You are free: to share – to copy, distribute and transmit the work to remix – to adapt the work Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. You may select the license of your choice. A barber's pole is a type of sign used by barbers to signify the place or shop where they perform their craft. The trade sign is, by a tradition dating back to the Middle Ages, a staff or pole with a helix of colored stripes (often red and white in many countries, but usually red, white and blue in the United States). The pole may be stationary or may revolve, often with the aid of an electric motor.[1][2] A "barber's pole" with a helical stripe is a familiar sight, and is used as a secondary metaphor to describe objects in many other contexts. For example, if the shaft or tower of a lighthouse has been painted with a helical stripe as a daymark, the lighthouse could be described as having been painted in "barber's pole" colors. Likewise, borders may be marked and warnings highlighted. Origin in barbering and surgery During medieval times, barbers performed surgery on customers, as well as tooth extractions. The original pole had a brass wash basin at the top (representing the vessel in which leeches were kept) and bottom (representing the basin that received the blood). The pole itself represents the staff that the patient gripped during the procedure to encourage blood flow.[3] Use in prostitution In South Korea, barber's poles are used both for actual barbershops and for brothels.[13] Brothels disguised as barbershops, referred to as 이발소 (ibalso) or 미용실 (miyongsil), are more likely to use two poles next to each other, often spinning in opposite directions, though the use of a single pole for the same reason is also quite common.[14] Actual barbershops, or 미용실 (miyongsil), are more likely to be hair salons; to avoid confusion, they will usually use a pole that shows a picture of a woman with flowing hair on it with the words hair salon written on the pole.](https://commons.m.wikimedia.org/wiki/File:Sweeney_Todds.jpg#mw-jump-to-license)
![ummary Edit Zhuge Liang（諸葛亮）was one of the greatest strategists of post-Han China, as well as a statesman, engineer, scholar. This image was carried on the book which is called "Wan hsiao tang-Chu chuang -Hua chuan（晩笑堂竹荘畫傳） " which was published in 1921（民国十年）. Licensing Edit Public domain This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. Dialog-warning.svg You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information). This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights One famous line of poem, "Who is the first, awakened from the Great Dream? As always, I'm the one who knows." (Chinese: 大梦谁先觉？平生我自知.; pinyin: dà mèng shuí xiān jué ? píng shēng wǒ zì zhī), was also attributed to Zhuge Liang. "Without modest simplicity, one cannot brighten volition; Without tranquility and serenity, one cannot reach far" (Chinese: 非淡泊无以明志，非宁静无以致远), a well-known maxim authored by Zhuge Liang, has been popular in educational institutions in China for thousands of years. The wisdom of Zhuge Liang was popularised by the historical novel Romance of the Three Kingdoms, written by Luo Guanzhong during the Ming dynasty. In it, Zhuge Liang is described to be able to perform fantastical achievements such as summoning advantageous winds and devising magical stone mazes. There is great confusion on whether the stories are historical or fictional. At least, the Empty Fort Strategy is based on historical records, albeit not attributed to Zhuge Liang historically.[3] For Chinese people, the question is largely irrelevant, as the Zhuge Liang of lore is regardless seen as a mastermind, whose examples continue to influence many layers of Chinese society. Zhuge Liang (pronunciation in Standard Mandarin: [ʈʂú.kɤ̀ ljâŋ] (About this soundlisten); 181–234),[2] courtesy name Kongming, was a Chinese politician, military strategist, writer, engineer and inventor. He served as the chancellor and regent of the state of Shu Han during the Three Kingdoms period.](https://commons.m.wikimedia.org/wiki/File:Zhuge_Liang.jpg#mw-jump-to-license)
) with but often usually only as a last resort (
compare book of job god speaking out of the clouds
tv co dau 8 tuoi anandi asked her rewcuer what did he tell the horse to calm it down suggesting somemother people prefer communion with animals
dahlia went to birthday party of her friend grace and receive this dr seuss book and dahlia could read it after hearing another person read it … happy birthday to tôn định also …
![Cornaro chapel in Santa Maria della Vittoria in Rome HDR Wider view, including the Cornaro portraits, but omitting the lower parts of the chapel The Ecstasy of Saint Teresa (alternatively Saint Teresa in Ecstasy or Transverberation of Saint Teresa; in Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is the central sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. It pictures Teresa of Ávila. The two central sculptural figures of the swooning nun and the angel with the spear derive from an episode described by Teresa of Avila, a mystical cloistered Discalced Carmelite reformer and nun, in her autobiography, ‘The Life of Teresa of Jesus’ (1515–1582). Her experience of religious ecstasy in her encounter with the angel is described as follows: I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.[4] The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Cardinal Federico Cornaro and Doge Giovanni I Cornaro, are present and shown discussing the event in boxes as if at the theatre. Although the figures are executed in white marble, the aedicule, wall panels and theatre boxes are made from coloured marbles. Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove. The art historian Rudolf Wittkower has written: In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. They belong to our space and our world. The supernatural event of Teresa’s vision is raised to a sphere of its own, removed from that of the beholder mainly by virtue of the isolating canopy and the heavenly light.[5]](https://i0.wp.com/stoppauseplayfastforwardrewindejectrecord.us/blog1/wp-content/uploads/2016/08/Cornaro_chapel_in_Santa_Maria_della_Vittoria_in_Rome_HDR.jpg)
![Snowflake Bentley is a children's picture book written by Jacqueline Briggs Martin and illustrated by Mary Azarian. Published in 1998, the book is about Wilson Bentley, the first known photographer of snowflakes. Azarian won the 1999 Caldecott Medal for her illustrations.[1]](https://i0.wp.com/stoppauseplayfastforwardrewindejectrecord.us/blog1/wp-content/uploads/2016/11/CM_SnowflakeBentleyA.jpg)
you can sort of see christianity’s program of transsubstantiation or trnasmutation of sex …
stoppauseplayfastforwardrewindejectrecorddotnet 
