at hobby lobby … bull in china shop … old fashioned and modern toys such as robot although come to think of it robot is actually also a classic old fashioned toy … beautiful people …
lost in space robot danger will robinson from http://thatsetoys.com/lost-in-space-b9-robot-danger-danger-will-robinson-license-tag-by-tin10-collectibles/Today’s Doodle celebrates Olga Ladyzhenskaya, a Russian mathematician who triumphed over personal tragedy and obstacles to become one of the most influential thinkers of her generation. Born in the rural town of Kologriv on this day in 1922, Ladyzhenskaya was inspired to love algebra by her father, a mathematician descended from Russian nobility. She was just 15 years old when her father was jailed and executed by Soviet authorities who accused him of being an “enemy of the state.” Subsequently, her mother and sisters sold dresses, shoes, and soap to make ends meet. Despite graduating from secondary school with excellent grades, she was later denied admission to Leningrad State University because of her family name. After years of teaching math to secondary school students, Ladyzhenskaya finally got the chance to attend Moscow State University, studying under the renowned mathematician Ivan Petrovsky. There, she earned her PhD and went on to head the Laboratory of Mathematical Physics at the Steklov Mathematical Institute. Later, she elected to stay in Russia despite the collapse of the Soviet Union and the economic pressures that followed. The author of more than 250 papers, Ladyzhenskaya’s methods for solving partial differential equations remain profoundly influential. A member of the St. Petersburg Mathematical Society since 1959, she became its president in 1990. Beyond mathematics, she was also a lover of nature and the arts. Recognized by numerous international institutions, she was awarded the Lomonosov Gold Medal by the Russian Academy of Sciences in 2002 for her impressive contributions to the world of mathematics. Happy 97th birthday, Olga!https://en.m.wikipedia.org/wiki/Detroit_Industry_Murals Description Overview of Detroit Industry, North Wall, 1932-33, fresco by Diego Rivera. Detroit Institute of Arts. Source Detroit Institute of Arts Date 1932-33 Author Diego Rivera Permission (Reusing this file) see http://www.dia.org/object-info/09ec176f-e53f-40d8-a5c2-9889eea5f3ad.aspx?position=3; a careful search of the image shows no copyright notice of any sort Licensing Edit This work is in the public domain because it was published in the United States between 1924 and 1977 inclusive, without a copyright notice. Unless the author has been dead for several years, it is not in the public domain in countries that do not apply the rule of the shorter term for US works. This includes Canada, China (not Hong Kong, Macao, or Taiwan Area), Germany, Mexico, Switzerland, and other countries with individual treaties. See also further explanation.mary Edit Low resolution, fair use image of Detroit Industry, South Wall, 1932-33, fresco by Diego Rivera. Detroit Institute of Arts. Licensing Edit This image is of a drawing, painting, print, or other two-dimensional work of art, and the copyright for it is most likely owned by either the artist who produced the image, the person who commissioned the work, or their heirs. It is believed that the use of low-resolution images of works of art for critical commentary on the work in question, the artistic genre or technique of the work of art or the school to which the artist belongs on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation, qualifies as fair use under United States copyright law. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. See Wikipedia:Non-free content for more information. Non-free media information and use rationale for National Register of Historic Places listings in Downtown and Midtown Detroit, Michigan Description Murals by Diego Rivera in the Rivera Court of the Detroit Institute of Arts Source Self-made photograph by User:Cactus.man Article National Register of Historic Places listings in Downtown and Midtown Detroit, Michigan Portion used Single-wall section of set of 4 full-wall murals Low resolution? Yes Purpose of use To illustrate the murals as a historic feature of Detroit and the United States Replaceable? The murals are a work of art of unique historic significance; their historic value cannot be fully described without providing an image of the murals themselves. Non-free media information and use rationale for List of National Historic Landmarks in Michigan Description Murals by Diego Rivera in the Rivera Court of the Detroit Institute of Arts Source Self-made photograph by User:Cactus.man Article List of National Historic Landmarks in Michigan Portion used Single-wall section of set of 4 full-wall murals Low resolution? Yes Purpose of use To illustrate the murals as a historic feature of Michigan and the United States Replaceable? The murals are a work of art of unique historic significance; their historic value cannot be fully described without providing an image of the murals themselves. Fair use rationale in Diego Rivera Edit There is no alternative, public domain or free-copyrighted replacement image available. Inclusion of the image is for information, education and analysis only. The text discussing the significance of this art work, or referencing it as a key example of the artists work, is enhanced by inclusion of the image. The image is a low resolution copy of the original work, and of such low quality that it will not affect potential sales of the art work. Fair use rationale in Steve “Pablo” Davis Edit There is no alternative, public domain or free-copyrighted replacement image available. Inclusion of the image is for information, education and analysis only. The text discussing the significance of this art work, or referencing it as a key example of the artists work, is enhanced by inclusion of the image. The image is a low resolution copy of the original work, and of such low quality that it will not affect potential sales of the art work. Fair use rationale in Detroit Industry Murals Edit There is no alternative, public domain or free-copyrighted replacement image available. Inclusion of the image is for information, education and analysis only. The text discussing the significance of this art work, or referencing it as a key example of the artists work, is enhanced by inclusion of the image. The image is a low resolution copy of the original work, and of such low quality that it will not affect potential sales of the art work.
Mẹ ngồi nguyện cầu hằng bao đêm
Lời kinh vọng xa thật êm đềm
Mẹ cầu cho con. Vượt qua ngày tròn
Mẹ cầu cho em tuổi trời xanh còn nguyên đừng biến mất
Người về một ngày một lưa thưa
Người đi càng đêm càng đông dần
Từng dài âu lo. Từng đêm đợi chờ. Mộng thật cam go
Miễn là mai niềm đau thành nụ cười
Xin cho me. Tròn lời kinh đêm nay
Người sẽ về. Trước khi mẹ khuất núi
Xin cho me. Ngoài trời im kinh động.
Người sẽ về. Dù rách rưới tả tơi.
Người về một giờ một đông thêm
Người đi càng giây càng thưa dần
Rồi ngày sinh ly. Rồi đêm từ biệt.
Còn lại đêm nay với vòng tay tình yêu người và người
Lời nguyện cầu này cho nhau
Từ khi loạn ly vào đêm đầu
Tình người tiêu hao. Niềm tin bội bạc
Gà giục sang canh mãi ngoài hiên đầu tỏ tròn tiếng gáy
Lạnh lùng một ngày một qua mau
Lời kinh mù sương mờ trên đầu
Mộng chờ sau đêm. Ngày mai thật lạ. Thù hằn anh em
Bỗng nhìn nhau gọi nhau thật đậm đà
Xin cho me. Trọn niềm tin đêm nay.
Người sẽ về. Trước khi trời bủa tối
Xin cho me. Một giờ im kinh động.
Người sẽ về. Dù rách rưới tả tơi
Người về một giờ một đông thêm
Người đi càng giây càng không còn
Một thời điêu linh. Một phen hoạn nạn
Còn lại hôm nay những lời kinh tình yêu đầy nhiệm mầu
“the buddhas/tathagatas are only teachers/catalysts: you yourself must make,the effort: work out your salvation with diligence” … industrialness … “may your hands always be busy” …it’s a part of eternity it’s a part of being forever young … your soul your form prescribes how much you sleep how much you poop how much you eat and how much you work how much you play and you simply have to fulfill what your form and soul prescribe … and no one can touch that god-dictatated noble prescription …the same is true with other people they have their own prescribed amount for sleeping pooping eating working playing that no one–including you–can change/touch … you and them can only catalyze–like lotus in the mud untouched by mud–one another is all …may you always do for others and let others do for you … pendulum wave …
Bob Dylan’s “Forever Young”
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Learn more about Forever Young at http://books.simonandschuster.com/For… Look inside the pages of Bob Dylan’s “Forever Young” and listen to the singer perform.
Category
Music
Forever Young
WRITTEN BY: BOB DYLAN
May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
Forever young, forever young
May you stay forever young
May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young
Happy International Women’s Day 2019! Today’s interactive, slideshow Doodle is told by and made by women. In it, we showcase inspirational quotes across various languages by thirteen international female trailblazers—both past and present. Connecting to the larger theme of “women empowering women,” the quotes were also designed by a talented group of female guest artists from around the globe. The process of choosing the thirteen quotes was extremely difficult, but we aimed to include a diverse representation of voices on a day which celebrates the past, present, and future community of diverse women around the world. Learn more about the women who made today’s Doodle possible below!
the secretary of randall lab building on university of michigan ann arbor campus used to be ada …
Ada Lovelace
Augusta Ada King, Countess of Lovelace (néeByron; 10 December 1815 – 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage‘s proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a “computing machine” and the first computer programmer.[2][3][4]
Lovelace was the only legitimate child of the poet Lord Byron and his wife Anne Isabella “Annabella” Milbanke, Lady Wentworth.[5] All of Byron’s other children were born out of wedlock to other women.[6] Byron separated from his wife a month after Ada was born and left England forever four months later. He commemorated the parting in a poem that begins, “Is thy face like thy mother’s my fair child! ADA! sole daughter of my house and heart?”.[7] He died of disease in the Greek War of Independence when Ada was eight years old. Her mother remained bitter and promoted Ada’s interest in mathematics and logic in an effort to prevent her from developing her father’s perceived insanity. Despite this, Ada remained interested in Byron and was, upon her eventual death, buried next to him at her request. She was often ill in her childhood. Ada married William King in 1835. King was made Earl of Lovelace in 1838, Ada thereby becoming Countess of Lovelace.
Her educational and social exploits brought her into contact with scientists such as Andrew Crosse, Sir David Brewster, Charles Wheatstone, Michael Faraday and the author Charles Dickens, contacts which she used to further her education. Ada described her approach as “poetical science”[8] and herself as an “Analyst (& Metaphysician)”.[9]
When she was a teenager, her mathematical talents led her to a long working relationship and friendship with fellow British mathematician Charles Babbage, also known as “the father of computers”, and in particular, Babbage’s work on the Analytical Engine. Lovelace first met him in June 1833, through their mutual friend, and her private tutor, Mary Somerville.
Between 1842 and 1843, Ada translated an article by Italian military engineer Luigi Menabrea on the engine, supplementing it with an elaborate set of notes, simply called Notes. These notes contain what many consider to be the first computer program—that is, an algorithm designed to be carried out by a machine. Lovelace’s notes are important in the early history of computers. She also developed a vision of the capability of computers to go beyond mere calculating or number-crunching, while many others, including Babbage himself, focused only on those capabilities.[10] Her mindset of “poetical science” led her to ask questions about the Analytical Engine (as shown in her notes) examining how individuals and society relate to technology as a collaborative tool.[6]
“A Touch of the Poet” left to right, Brendan Ferrell, Matt McKenzie, and Julia McIlvaine | Vitor Martins
VENICE, Calif. — Like much of Eugene O’Neill, A Touch of the Poet is talky and redundant. It could have used a good editor. If staged as written, in four acts, it could be a very long evening in the theatre, tolerable only with the brightest stars in the three lead roles. (In this production there was one intermission.) It was originally intended as one of a long series of plays on American history, but only this one survives.
This is a late work, first staged in 1958 only after O’Neill’s death in 1953. Its Broadway premiere at the Helen Hayes Theatre starred the aging grande dame of American theatre herself, Helen Hayes, as the wife Nora in a submissive role unlike those magisterial portrayals she had offered her adoring public throughout a long career. Not among O’Neill’s most popular works, it has had only four Broadway productions, at approximately ten-year intervals. It’s understandable why.
Yet it cannot be dismissed either. O’Neill, after all, was a four-time Pulitzer Prize winner, and in 1936 won the Nobel Prize for Literature, the only American playwright ever to have done so. Many early plays, such as The Hairy Ape, recently produced to stunning effect in Los Angeles, showed him as an original and explosive talent.
One of the standard characteristics of an O’Neill play is his rumination on the effects of prodigious alcohol consumption in his family history, and in this play O’Neill does not shrink from the powerful draw of this theme. Known as really the first American playwright to go beyond inherited European dramatic models of melodrama and almost single-handedly establish a national theatre tradition, he is also aware of his Irishness. In Touch, however, a great deal of the “national” identity is subsumed in the lead character’s egregious treatment of women — his long-suffering wife and his headstrong daughter — and the boastfulness, nostalgic regret, drinking and street brawling for which the Irish in America became stereotyped.
Nor is this the Irishness of national liberation, a centuries-long story with equal parts tragedy and valor. Actually, the protagonist is a former officer in the British royal forces during the Napoleonic Era, who fought in Spain and was recognized by none other than Wellington for his bravery. To put it baldly, he was an Irishman who identified with the aristocracy and fought on the side of his British colonial oppressor to put down a man — contradictory as Napoleon was — who to millions of people represented liberty and the downfall of monarchies. “I have no future but the past,” he says.
The Byron-quoting Cornelius Melody (Matt McKenzie), now reduced to operating a modest bar, lives off his memories of military success in defense of reaction, even as those around him, his fellow Irishmen in America and his own daughter, love the Napoleonic gesture. O’Neill uses this contrast, as well as the use or the abandonment of the Irish brogue, as a symbol of immigration and assimilation, the values of the Old World and the New.
The setting is an unpretentious tavern outside of Boston that seemingly caters to an Irish-American crowd. All four acts take place in the dining room of the tavern. Upstairs, unseen, are the family living quarters. The year is 1828, specifically July 27th. The coming presidential election is in the forefront of people’s minds. The sitting sixth president, the aristocratic Bostonian John Quincy Adams — son of John Adams, the second president — is seen as out of touch with the common man. Opposing him is the upstart military man, General Andrew Jackson, who went on to win that election and re-election four years later. His term gave us the model of “Jacksonian democracy,” widely heralded as the spirit of the growing middle class, the further opening of the West, and the essential character of the new American republic. Banished forever were the pretenses and privileges of the “better” class of people embodied in the Adams family. Jackson’s image is on the $20 bill. Until recently, and maybe still in some places, Democratic Party fundraisers happily recalled this era by naming their dinners after Jefferson and Jackson.
Yet perceptions change over time. Only in later years the name of Andrew Jackson has come to symbolize not the growing democratization of America but the terrible price our civilization has paid for whatever democracy we have. Jackson himself was a slaveholder, and in the decades before his presidency he was a renowned and enthusiastic mass murderer of Native Americans whom the white Europeans saw as standing in the way of westward settlement. If American capitalism in an expansive phase in the early 19th century gave hope to thousands, later millions of immigrants from Europe, the prosperity they created, the wealth they began to accumulate, was built on an unsteady foundation — the backs of slaves and the natives’ stolen land.
O’Neill’s Irish immigrants in A Touch of the Poet are not thinking about slaves and native land, however. In O’Neill’s time the older image of Jackson still prevailed. This refraction through the looking glass of history is in part what makes the play less than satisfying today. We squirm at the contradictions of bourgeois democracy, …
“I stood Among them, but Not of Them” would be the irish o’neil’s apology for being in america of native american indian like a lotus untouched by the mud it grows in like chinese railroad track and like scottish tartans …
1In the beginning was the Word, and the Word was with God, and the Word was God. 2The same was in the beginning with God. 3All things were made by him; and without him was not any thing made that was made. 4In him was life; and the life was the light of men. 5And the light shineth in darkness; and the darkness comprehended it not.
6There was a man sent from God, whose name was John. 7The same came for a witness, to bear witness of the Light, that all men through him might believe. 8He was not that Light, but was sent to bear witness of that Light.
9That was the true Light, which lighteth every man that cometh into the world. 10He was in the world, and the world was made by him, and the world knew him not. 11He came unto his own, and his own received him not. 12But as many as received him, to them gave he power to become the sons of God, even to them that believe on his name: 13Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God.
14And the Word was made flesh, and dwelt among us, (and we beheld his glory, the glory as of the only begotten of the Father,) full of grace and truth. 15John bare witness of him, and cried, saying, This was he of whom I spake, He that cometh after me is preferred before me: for he was before me. 16And of his fulness have all we received, and grace for grace. 17For the law was given by Moses, but grace and truth came by Jesus Christ. 18No man hath seen God at any time; the only begotten Son, which is in the bosom of the Father, he hath declared him.
Summary Edit Photograph taken in Scotland in August 1987 by Author. Boy 4 yrs 8 months Licensing Edit I, the copyright holder of this work, hereby publish it under the following licenses: Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. Subject to disclaimers. This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 License. This licensing tag was added to this file as part of the GFDL licensing update. This work is licensed under the Creative Commons Attribution 2.5 License. You may select the license of your choice.
die^~m wears plaid today to san jose 3/9/2019 with tonddinh and bu and bi … while to^nan and mother went to hobby lobby second day in a row then to golden sand harbor for dimsum and 99 ranch and father stayed home ….
Watch how tracks are laid for China’s high-speed rail
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One steel rail track 500 meters long. Watch how tracks are laid for China’s high-speed rail.
Category
News & Politics
synopsis for The Song of Mu Lan by Jeanne M. Lee (Author): Mu Lan is at her loom when she hears the Emperor’s call to arms. She rides off to war in her father’s stead, embarking on a journey of ten thousand miles that takes her away from home for ten years. Her courage and valor bring her to the Emperor’s attention and to the Golden Court. When offered whatever she wishes as a reward, she asks only to go home. There she surprises her mother and father, sister and brother–but it is her comrades in arms who are most surprised of all. The Song of Mu Lan is closely translated from an ancient text and echoes the rhythms of Chinese,
When the Old Monkey King trying to save Little Monkey, Little Monkey undertakes a dangerous journey to find the Old Immortal and get a pill to save the old king. Along the way, he meets many supernatural creatures that teach him the skills he needs to complete his journey and to become immortal himself. In addition to giving him the pill, the Old Immortal also gives Little Monkey a new name, Sun Wukong, or Monkey King. Sun Wukong is a central figure in Chinese folklore, most notably in the 16th-century classic “Journey to the West.” Li’s telling differs from most versions, as there is little resemblance between the beloved trickster who seeks immortality out of boredom and the selfless hero shown here.
DescriptionThe arduous journey of a child bride, Anandi, from childhood to womanhood, as she strives to face every challenge and carve out her own identity. First episode date: July 21, 2008 Final episode date: July 31, 2016 Theme song: Choti Si Umar Number of episodes: 2,245 Networks: Colors, antv, Viacom 18, Nova televisionDescriptionThe arduous journey of a child bride, Anandi, from childhood to womanhood, as she strives to face every challenge and carve out her own identity. First episode date: July 21, 2008 Final episode date: July 31, 2016 Theme song: Choti Si Umar Number of episodes: 2,245 Networks: Colors, antv, Viacom 18, Nova television
tv co dau 8 tuoi asa and anandi fought and won the allowance (marriage and divorce respectively) to metamorphose into a new stage of their lives …
what plaid and zero-footprint tracks/paths amounts to …: loving oneself is actually equivalent to loving everyone to loving “you’re ok/well; i’m ok/well” “muôn loài được bình thường sống lâu; everyone live well and long” …
The third coin in the exciting Animal Architects series from the Royal Canadian Mint, this quarter-ounce fine silver coin portrays the Monarch caterpillar! This familiar little creature inches around in bright yellow, black and white stripes until it turns into the widely-recognized Monarch butterfly; the Monarch sports a distinct orange and black pattern, and is the most widespread butterfly in North America. The little caterpillar is considered an architect because of the intricate cocoon it spins for itself in its chrysalis stage: after spinning a silk pad on a twig or leaf, it will hang from it by its last legs in a ‘J’ shape. This phase leads to hormonal changes, and eventually, the metamorphosis into a beautiful butterfly. This coin, featuring a denomination of $3, is crafted in 99.99% fine silver and employs vibrant, selective colouring that brings the caterpillar and the milkweed leaf it is perched upon to life. The background, which displays the architectural creation of the caterpillar, hangs to foreshadow the chrysalis stage. Complimented with a beautiful mirror-like proof finish, this coin would make a worthy addition to any insect, Canadiana or nature-themed collection of silver. Features Produced By: RCM Denomination: 3Dollar Obverse: Queen Elizabeth II Reverse: Monarch caterpillar with selective colour application of caterpillar’s bright yellow, black and white stripes and bright green milkweed leaf, large chrysalis engraved in background Finish: Proof Series: Animal Architects Quantity Produced: 10,000 Artist: Trevor Tennant
The third coin in the exciting Animal Architects series from the Royal Canadian Mint, this quarter-ounce fine silver coin portrays the Monarch caterpillar! This familiar little creature inches around in bright yellow, black and white stripes until it turns into the widely-recognized Monarch butterfly; the Monarch sports a distinct orange and black pattern, and is the most widespread butterfly in North America. The little caterpillar is considered an architect because of the intricate cocoon it spins for itself in its chrysalis stage: after spinning a silk pad on a twig or leaf, it will hang from it by its last legs in a ‘J’ shape. This phase leads to hormonal changes, and eventually, the metamorphosis into a beautiful butterfly. This coin, featuring a denomination of $3, is crafted in 99.99% fine silver and employs vibrant, selective colouring that brings the caterpillar and the milkweed leaf it is perched upon to life. The background, which displays the architectural creation of the caterpillar, hangs to foreshadow the chrysalis stage. Complimented with a beautiful mirror-like proof finish, this coin would make a worthy addition to any insect, Canadiana or nature-themed collection of silver. Features Produced By: RCM Denomination: 3Dollar Obverse: Queen Elizabeth II Reverse: Monarch caterpillar with selective colour application of caterpillar’s bright yellow, black and white stripes and bright green milkweed leaf, large chrysalis engraved in background Finish: Proof Series: Animal Architects Quantity Produced: 10,000 Artist: Trevor Tennant
Metamorphosis From Caterpillar To Butterfly
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See how the caterpillar changes to chrysalis, then emerges as a butterfly. This is a combination of 2 clips, the first chrysalis is of the monarch butterfly, the 2nd is the Swallowtail butterfly. I have another vid about the complete life cycle of the monarch, the caterpillar and emerging butterfly are both monarch. To see, click on link below:
Khî Wû Lun, or ‘The Adjustment of Controversies.’ (cont.)
9. Khü Tshiâo-tsze asked Khang-wû Tsze, saying, ‘I heard the Master (speaking of such language as the following):– “The sagely man does not occupy himself with worldly affairs. He does not put himself in the way of what is profitable, nor try to avoid what is hurtful; he has no pleasure in seeking (for anything from any one); he does not care to be found in (any established) Way; he speaks without speaking; he does not speak when he speaks; thus finding his enjoyment outside the dust and dirt (of the world).” The Master considered all this to be a shoreless flow of mere words, and I consider it to describe the course of the Mysterious Way.– What do you, Sir, think of it?’ Khang-wû Tsze replied, ‘The hearing of such words would have perplexed even Hwang-Tî, and how should Khiû be competent to understand them? And you, moreover, are too hasty in forming your estimate (of their meaning). You see the egg, and (immediately) look out for the cock (that is to be hatched from it); you see the bow, and (immediately) look out for the dove (that is to be brought down by it) being roasted. I will try to explain the thing to you in a rough way; do you in the same way listen to me.
‘How could any one stand by the side of the sun and moon, and hold under his arm all space and all time? (Such language only means that the sagely man) keeps his mouth shut, and puts aside questions that are uncertain and dark; making his inferior capacities unite with him in honouring (the One Lord). Men in general bustle about and toil; the sagely man seems stupid and to know nothing. He blends ten thousand years together in the one (conception of time); the myriad things all pursue their spontaneous course, and they are all before him as doing so.
…
‘Formerly, I, Kwang Kâu, dreamt that I was a butterfly, a butterfly flying about, feeling that it was enjoying itself. I did not know that it was Kâu. Suddenly I awoke, and was myself again, the veritable Kâu. I did not know whether it had formerly been Kâu dreaming that he was a butterfly, or it was now a butterfly dreaming that it was Kâu. But between Kâu and a butterfly there must be a difference. This is a case of what is called the Transformation of Things.’ http://nothingistic.org/library/chuangtzu/details.html
Book Details
author: Chuang Tzu, alt. Zhuangzi
title: The Writings of Chuang Tzu
publisher: Oxford University Press, 1891
subject: Taoism – Ethics – Philosophy
language: English
alt. author: James Legge, trans.
Editor’s Notes
This book is taken from James Legge’s translation The Writings of Chuang Tzu, found in volumes thirty-nine and forty of the Sacred Books of the East series, published by Oxford University Press in 1891. The book was prepared for the Internet in 2000, reformatted for the Internet in 2003, and reformatted again in 2009.
I last revisited this text on June 2nd, 2009.
https://lists.rootsweb.com/hyperkitty/list/ireland@rootsweb.com/thread/4478356/ leon uris trinity the frontispiece quote [IRELAND] Historical Novel “Trinity” by Leon URIS (1976) Jean R. 7/30/2007, 7:35:22 AM BOOK REVIEW: “There is no present or future – only the past, happening over and over again – now.” That is a line from Eugene O’Neill’s “A Moon for the Misbegotten.” In 1976 celebrated author Leon URIS published his powerful 751-page novel “Trinity,” set in Ireland between the period of the famine of the 1840s and the Easter Rising of 1916. Per the author, much background research went into his work which gives voice to the generations of Catholic hill farmers in Donegal fighting for survival against the harshness of the land and the injustice in their lives. His novel also attempts to give us insight into the times and events from the perspective of families of the British aristocracy, who ventured to Ireland to conquer, colonize and exploit. Also portrayed are the lives of devout Belfast shipyard workers whose Scottish-Presbyterian ancestors were planted in Ulster to secure the Crown’s interests. “This is his Trinity, the oil and water of the Irish epic that would never mix, their interrelations of love and hate in a terrible and beautiful drama spanning over half a century.” You should be able to find a copy in your local library if the subjecturis ~ urea and gout in previous notes about jame joyce a portrait of the artiwt aw a young man …
maybe even if the parts of humanity (the red man the white man the black man the yellow man etc.) are transformed (like the crysalis metamorphosis that changes a caterpillar into a butterfly) something singular (lonesome-dove “residue”) like the soul of humanity might yet abide/remain the same if the parts have enough conscience/love for one another and for the animals the plants the rocks the water etc of their third rock from the sun …
p. 411:
given the virginity of the landscapes … the challenging presence of the Indian and the Black, the Revelation caused by its recent discovery, the fertile Mestizo (crysalis-like) cultures (plural: red man is changed and in the image white man is changed and black man is changed and yellow man is changed) it has produced, America is far from having exhausted its stream of mythologies … But what is the whole history of America if not the chronicle of a marvelous reality ….
alejo carpentier”the kingdom of this world”
Americas: The Changing Face of Latin America and the Caribbean Winn, Peter Published by: Pantheon Books 1993The Organs-on-a-Chip technology is a new alternative way to screen drug candidates in a very early stage for efficacy and toxicity. The technology enables researchers to cultivate human cells representing organs under physiological conditions. Multiple organs can be placed on one chip and are interconnected to model the dynamics of a human organism. This is possible because 3D cell culture, microfluids and 3D printing technologies allow the cultivation of cells from patients who, for example, reflect the disease genotype or phenotype. Therefore, the translucent devices provide a window into the tissue structures, functions, and mechanical motions of hearts, lungs, kidneys, arteries, intestines and other organs – in other words, the inner workings of humans.
technologies and stuff that humanity exchanged and “paid” (“rent” see “zelda’s problem” porn above and below: that is, “justified”–justify the way of man/woman to man/woman and justify the way of god to man john milton and book of job– and assuaged and massaged conscience of humanity
Elton John – Someone Saved My Life Tonight (solo live 1976)
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elton john – someone saved my life tonight (solo live 1976)
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there’s no escaping biblical “in the image” butterfly or not butterfly yet there is escape 1 corinthian10:13 in blaise pascal’s wager choice of the right kind of “in the image” (“someone saved my life”) namely in the choice of “you’re ok/well; i’m ok/well” …
Pascal’s Wagera model of interactions developed by Frank Ernst (historically: Blaise Pascal’s Wager) and is termed the ‘OK Corral’ (also called ‘OK Matrix’)https://www.nationalgeographic.com/magazine/2019/03/
“THIS arises; THAT arises” tro+`i sinh tro+`i du+o+~ng what is obvious is the el salvador rate is highest (the 18th street and the ms13 gangs)but what is not obvious can perhaps be inferred (18 year old ~ adult 13 year old ~ child republican democrat co^.ng ho`a co^.ng sa?n old and young) and furthermore perhaps the higher rate (it’s a marginal or differential rate and must have a reference whole or reference average to compare with to make sense to be “normalized” … in fact with a large enough reference it could be an actual decrease from an earlier historical rate) of decrease in population might be accounted (normalized) for by the global increase in all populations salvador’s and white and black and yellow … cost of living …
tv co dau 8 tuoi kananji pinches anandi’s cheek “so cute” as the latter told kananji not to lie like her such as about going to mumbai to obtain jadit’s divorce signature …
“My mural which I am painting now—it is about the marriage of the artistic expression of the North and of the South on this continent, that is all. I believe in order to make an American art, a real American art, this will be necessary, this blending of the art of the Indian, the Mexican, the Eskimo, with the kind of urge which makes the machine, the invention in the material side of life, which is also an artistic urge, the same urge primarily but in a different form of expression.” – Diego Rivera mestizo ~ invention … the cost of mestizos is to be bear/”borned” by all of humanity … a crysalis humanity …
anyway to be perfectly correct as described above no one can sleep poop eat etc for us and like wise no one can technologize for us can keep up with entropy for us meaning regardless of citing rent or native american indian as the cause the real cause is us we just have to shoulder our own burden of entro[ical change manifested as technologies …) for with the crysalis-like transformation of the red man the white man the black man the yellow man etc and myriad other creatures and plants and things …
Chiều nay sương khói lên khơi
Thùy dương rũ bến tơi bời
Làn mây hồng pha ráng trời
Sóng Đà Giang thuyền qua xứ người
Thuyền ơi! viễn xứ xa xưa
Một lần qua dạt bến lau thưa
Hò ơi! giọng hát thiên thu
Suối nguồn xa vắng, chiều mưa ngàn về
Nhìn về đường cô lý
Cô lý xa xôi
Đời nhịp sầu lỡ bước
Bước hoang mang rồi …!
Quay lại hướng làng
Đà Giang lệ ướt nồng
Mẹ già ngồi im bóng
Mái tóc tuyết sương
Mong con bạc lòng …
Chiều nay gửi tới quê xưa
Biết là bao thương nhớ cho vừa
Trời cao chìm rơi xuống đời
Biết là bao sầu trên xứ người
Mịt mờ sương khói lên hương
Lũ thùy dương rủ bóng ven sông
Chiều nay trên bến muôn phương
Có thuyền viễn xứ, nhổ neo lên đường …
on the evening of April 5, 1815, Mount Tambora, in the Indonesian archipelago, lost its head. So furious was the volcanic eruption that the top third of the 4,300-meter mountain disappeared. More than 10,000 people were incinerated, while an additional 30,000 across the world perished from the crop failures, famine, and disease that resulted from extreme weather triggered by the explosion. Volcanic ash blotted out much of the sun for more than a year, seeding wild rumors that the sun was dying. In Europe and North America, there were snowfalls in June, dry fogs, streaky sunsets, and unseasonal storms. The average global temperature dropped by a whole degree. The climate changed overnight.
Unexpectedly, however, this catastrophe spurred two remarkable works of apocalyptic literature in distant Europe. As we mark their bicentenary, these works can be viewed as forerunners to the literature of climate change.
The Organs-on-a-Chip technology is a new alternative way to screen drug candidates in a very early stage for efficacy and toxicity. The technology enables researchers to cultivate human cells representing organs under physiological conditions. Multiple organs can be placed on one chip and are interconnected to model the dynamics of a human organism. This is possible because 3D cell culture, microfluids and 3D printing technologies allow the cultivation of cells from patients who, for example, reflect the disease genotype or phenotype. Therefore, the translucent devices provide a window into the tissue structures, functions, and mechanical motions of hearts, lungs, kidneys, arteries, intestines and other organs – in other words, the inner workings of humans.The Organs-on-a-Chip technology is a new alternative way to screen drug candidates in a very early stage for efficacy and toxicity. The technology enables researchers to cultivate human cells representing organs under physiological conditions. Multiple organs can be placed on one chip and are interconnected to model the dynamics of a human organism. This is possible because 3D cell culture, microfluids and 3D printing technologies allow the cultivation of cells from patients who, for example, reflect the disease genotype or phenotype. Therefore, the translucent devices provide a window into the tissue structures, functions, and mechanical motions of hearts, lungs, kidneys, arteries, intestines and other organs – in other words, the inner workings of humans.
The more famous of the two is Mary Wollstonecraft Shelley’s , the mesmerizing and moving story of a hubristic scientist, Victor Frankenstein, who creates a yellow-skinned and watery-eyed monster in his laboratory—and then loses control of it. It has become the classic cautionary tale against what Shelley’s vainglorious scientist upholds as “the unquestioned belief that the products of science and technology are an unqualified blessing for mankind.” The other is the lesser known but equally haunting poem “Darkness,” by the romantic poet George Gordon Byron. It imagines the horrific end days of human life on an earth that has become “a lump of death—a chaos of hard clay.” These two works share a unique kinship: not only were they goaded into being by the gloomy Tambora weather, but they were conceived in the same month, July 1816, and in the same place—on the shores of a storm-lashed Lake Geneva, where Byron and the Shelleys had rented neighboring villas.
The Geneva Conference was a conference among several nations that took place in Geneva, Switzerland from April 26 – July 20, 1954.[1] It was intended to settle outstanding issues resulting from the Korean War and the First Indochina War.[2] The part of the conference on the Korean question ended without adopting any declarations or proposals, so is generally considered less relevant. The Geneva Accords that dealt with the dismantling of French Indochina proved to have long-lasting repercussions, however. The crumbling of the French Empire in Southeast Asia would create the eventual states of the Democratic Republic of Vietnam (North Vietnam), the State of Vietnam (the future Republic of Vietnam / South Vietnam), the Kingdom of Cambodia, and the Kingdom of Laos.
Diplomats from South Korea, North Korea, the People’s Republic of China(PRC), the Union of Soviet Socialist Republics (USSR), and the United States of America (US) dealt with the Korean side of the Conference. For the Indochina side, the Accords were between France, the Viet Minh, the USSR, the PRC, the US, the United Kingdom, and the future states being made from French Indochina.[3] The agreement temporarily separated Vietnam into two zones, a northern zone to be governed by the Viet Minhrebels, and a southern zone to be governed by the State of Vietnam, then headed by former emperor Bảo Đại. A Conference Final Declaration, issued by the British chairman of the conference, provided that a general election be held by July 1956 to create a unified Vietnamese state. Despite helping create the agreements, they were not directly signed onto nor accepted by delegates of both the State of Vietnam and the United States. In addition, three separate ceasefire accords, covering Cambodia, Laos, and Vietnam, were signed at the conference.
No Deal Reached Between Trump, Kim At 2nd Summit By Associated Press | Feb 27, 2019 @ 9:21 PM White House press secretary Sarah Sanders says the two leaders discussed denuclearization of the Korean Peninsula. She adds: “No agreement was reached at this time, but their respective teams look forward to meeting in the future.” Still, Sanders is describing the meetings between Trump and Kim as “very good and constructive.”
The story of how Frankenstein was born has passed into literary legend. The year 1816 was known by the clammy epithet of the Year Without a Summer; thunderstorms and what Mary described as “an almost perpetual rain” kept them indoors. The group of friends—which included Byron’s personal physician Dr. John Polidori and Claire Clairmont, Mary’s eighteen-year-old stepsister, who was madly in love with Byron and pregnant with his child—decided to pass the time by inventing ghost stories. Eighteen-year-old Mary Shelley came up with Frankenstein, whose opening page, shivery with icy winds, manifests a deep longing for a place where “the sun is forever visible.”
may “you’re ok/well; i’m ok/well” “muon loai duoc binh thuong song lau; everyone live well and long” …
“A Touch of the Poet” left to right, Brendan Ferrell, Matt McKenzie, and Julia McIlvaine | Vitor Martins
![https://lists.rootsweb.com/hyperkitty/list/ireland@rootsweb.com/thread/4478356/ leon uris trinity the frontispiece quote [IRELAND] Historical Novel "Trinity" by Leon URIS (1976) Jean R. 7/30/2007, 7:35:22 AM BOOK REVIEW: "There is no present or future - only the past, happening over and over again - now." That is a line from Eugene O'Neill's "A Moon for the Misbegotten." In 1976 celebrated author Leon URIS published his powerful 751-page novel "Trinity," set in Ireland between the period of the famine of the 1840s and the Easter Rising of 1916. Per the author, much background research went into his work which gives voice to the generations of Catholic hill farmers in Donegal fighting for survival against the harshness of the land and the injustice in their lives. His novel also attempts to give us insight into the times and events from the perspective of families of the British aristocracy, who ventured to Ireland to conquer, colonize and exploit. Also portrayed are the lives of devout Belfast shipyard workers whose Scottish-Presbyterian ancestors were planted in Ulster to secure the Crown's interests. "This is his Trinity, the oil and water of the Irish epic that would never mix, their interrelations of love and hate in a terrible and beautiful drama spanning over half a century." You should be able to find a copy in your local library if the subject](https://i0.wp.com/stoppauseplayfastforwardrewindejectrecord.us/blog1/wp-content/uploads/2016/04/220px-TrinityUris.jpg)
tv co dau 8 tuoi kananji pinches anandi’s cheek “so cute” as the latter told kananji not to lie like her such as about going to mumbai to obtain jadit’s divorce signature …
stoppauseplayfastforwardrewindejectrecorddotnet 
