3.1.2019 come on

3/1/2019

Genesis 3 -19In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.

Job 1 -20Then Job arose, and rent his mantle, and shaved his head, and fell down upon the ground, and worshipped,

21And said, Naked came I out of my mother’s womb, and naked shall I return thither: the LORD gave, and the LORD hath taken away; blessed be the name of the LORD.

22In all this Job sinned not, nor charged God foolishly.

Ecclesiastes 1 -4One generation passeth away, and another generation cometh: but the earth abideth for ever.

5The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose.

6The wind goeth toward the south, and turneth about unto the north; it whirleth about continually, and the wind returneth again according to his circuits.

7All the rivers run into the sea; yet the sea is not full; unto the place from whence the rivers come, thither they return again.

8All things are full of labour; man cannot utter it: the eye is not satisfied with seeing, nor the ear filled with hearing.

9The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.

1 Corinthians 13
King James Bible  Par ▾ 

Love

1Though I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. 2And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing. 3And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not charity, it profiteth me nothing.

4Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up, 5Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil; 6Rejoiceth not in iniquity, but rejoiceth in the truth; 7Beareth all things, believeth all things, hopeth all things, endureth all things.

8Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away. 9For we know in part, and we prophesy in part. 10But when that which is perfect is come, then that which is in part shall be done away. 11When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. 12For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. 13And now abideth faith, hope, charity, these three; but the greatest of these is charity.

King James Bible

Text courtesy of BibleProtector.com

Section Headings Courtesy INT Bible
© 2012, Used by Permission

Bible Hub

1 corinthian 13 suggests [vạn lý trường thành: there are always a miilion/godzillion reasons for everything and 1 corinthian 13 is only one reason: thus to be sure one should not be complacent–say with just one fitting reason–should not be jaded as pointed out about mass shootings in previous notes to the human conditions even if the human conditions seem to be happening only to other people while one is on cloud nine but one should always fear anger love rejoice quiet nothing doing or whatnot with reasons or without reason so that or so as to bring about “you’re ok/well; i’m ok/well” “muôn loài được bình thường lành mạnh sống lâu; everyone live well and long” … even if “you’re ok/well; i’m ok/well” “muôn loài được bình thường lành mạnh sống lâu; everyone live well and long” seems like but a carrot on a stick as mentioned in previous notes’ discussion of ubuntu {if ubuntu is only ‘in the image’ ‘mirror’ then it would have been as ‘nothing’ but supposedly it is ‘humanity’ is ‘good thoughts’ is the ‘good’ mirror is ‘you’re ok/well; i’m ok/well’ wellness mirror} … and that is blaise pascal’s wager … ‘you’re ok/well; i’m ok/well’ might seem like an unattainable or like an illusion especially because it produces ‘have eyes/ears/mouth but as though could only see/hear/say good/goodness/godness/god’ yet ‘you’re ok/well; i’m ok/well’ has to be aim at and strive for
tv's family guy chris chasing hot dog food and running on treadmill from https://tenor.com/view/gu-gif-4354706

Des’ree – You Gotta Be (Official Video)
] that “a child” [“do thái” ~ “because of goliath/big/great/adult/harvest/pick fruit”] seems to have “disappeared” becoming “a man” …

Cat’s In The Cradle from Abiding Fathers on Vimeo.

Cat’s In The Cradle
https://en.m.wikipedia.org/wiki/Cat%27s_in_the_Cradle
The song’s lyrics began as a poem written by Harry’s wife, Sandra “Sandy” Gaston; the poem itself was inspired by the awkward relationship between her first husband, James Cashmore, and his father, John, a politician who served as Brooklyn borough president. She was also inspired by a country music song she had heard on the radio.[4] Chapin also said the song was about his own relationship with his son, Josh,

child inside the man:

Yoko Ono John Lennon Woman
Vitruvius Technologos
5 years ago
Yoko Ono John Lennon Woman
“Woman”
(from “Imagine: John Lennon” soundtrack)

For the other half of the sky

Woman, I can hardly express,
My mixed emotion at my thoughtlessness,
After all I’m forever in your debt,

And woman, I will try to express,
My inner feelings and thankfulness,
For showing me the meaning of success,
Ooh, well, well,
Ooh, well, well,

Woman, I know you understand
The little child inside the man,
Please remember my life is in your hands,

And, woman, hold me close to your heart,
However distant don’t keep us apart,
After all it is written in the stars,
Ooh, well, well,
Ooh, well, well,

Woman, please let me explain,
I never meant to cause you sorrow or pain,
So let me tell you again and again and again,

I love you (yeah, yeah) now and forever,
I love you (yeah, yeah) now and forever,
I love you (yeah, yeah) now and forever,
I love you (yeah, yeah).

pittsburgh tree of life synagogue from https://www.phillyvoice.com/active-shooter-situation-reported-synagogue-pittsburgh/
borderline bar and grill from http://www.brooklynvegan.com/13-dead-in-thousand-oaks-ca-bar-and-music-venue-shooting/

Peanuts Creator Charles Schulz Didn't Like the Classic Comic's Name Merrill FabryOctober 1, 2015 The April 9, 1965, cover of TIME The April 9, 1965, cover of TIME TIME When first daily Peanuts comic ran on Oct. 2, 1950—exactly 65 years ago this Friday—its creator, Charles M. Schulz, had plenty to be happy about. But not everything was sunny: he didn’t like the name that had been given to his creation. Schulz had previously published a cartoon called Li’l Folks, which included forerunners of the Peanuts characters, and didn’t want to change the name. Schulz told TIME in 1965, when the magazine ran a cover story about Charlie Brown’s place in American culture, “I wanted to keep Li’l Folks. I wanted a strip with dignity and significance. ‘Peanuts’ made it sound too insignificant.” So how did Peanuts get its name? Schulz was working as an art teacher at a Minneapolis art school when he sold his first cartoon in 1948 to the Saturday Evening Post. Li’l Folks came soon after, in the St. Paul Pioneer Press, which ran the strip anywhere the editor had space to put it. He stopped drawing it after a year, because the editor wouldn’t give him more money or a regular spot. At that point, Schulz, still working as an art teacher, pursued comic syndication contracts and was rejected from a number of services. In 1950 United Feature Syndicate accepted Schulz’s Li’l Folks. But before it could be published, the syndicate wanted to change the name. Al Capp’s strip Li’l Abner had premiered in 1934 and ran until 1977, and Tack Knight’s Little Folks comic ran in the 1930s, so Schulz’s title raised concerns over copyright infringement. A syndicate editor chose the name Peanuts, despite Schulz’s protests. The syndicate initially ran the comic strip in seven papers across the U.S., according the Charles M. Schulz Museum—adding that, even many years after the death of Li’l Folks, Schulz remained displeased at its new name. Even so, he didn’t let the name get in the way: Schulz would continue to work on Peanuts for the rest of his life. Read more about Charles Schulz and Peanuts, here in the TIME Vault: Good Grief Contact us at editors@time.com.
Peanuts Creator Charles Schulz Didn’t Like the Classic Comic’s Name
Merrill FabryOctober 1, 2015
The April 9, 1965, cover of TIME
The April 9, 1965, cover of TIME
TIME
When first daily Peanuts comic ran on Oct. 2, 1950—exactly 65 years ago this Friday—its creator, Charles M. Schulz, had plenty to be happy about. But not everything was sunny: he didn’t like the name that had been given to his creation.
Schulz had previously published a cartoon called Li’l Folks, which included forerunners of the Peanuts characters, and didn’t want to change the name. Schulz told TIME in 1965, when the magazine ran a cover story about Charlie Brown’s place in American culture, “I wanted to keep Li’l Folks. I wanted a strip with dignity and significance. ‘Peanuts’ made it sound too insignificant.”
So how did Peanuts get its name?
Schulz was working as an art teacher at a Minneapolis art school when he sold his first cartoon in 1948 to the Saturday Evening Post. Li’l Folks came soon after, in the St. Paul Pioneer Press, which ran the strip anywhere the editor had space to put it. He stopped drawing it after a year, because the editor wouldn’t give him more money or a regular spot. At that point, Schulz, still working as an art teacher, pursued comic syndication contracts and was rejected from a number of services. In 1950 United Feature Syndicate accepted Schulz’s Li’l Folks.
But before it could be published, the syndicate wanted to change the name. Al Capp’s strip Li’l Abner had premiered in 1934 and ran until 1977, and Tack Knight’s Little Folks comic ran in the 1930s, so Schulz’s title raised concerns over copyright infringement. A syndicate editor chose the name Peanuts, despite Schulz’s protests.
The syndicate initially ran the comic strip in seven papers across the U.S., according the Charles M. Schulz Museum—adding that, even many years after the death of Li’l Folks, Schulz remained displeased at its new name. Even so, he didn’t let the name get in the way: Schulz would continue to work on Peanuts for the rest of his life.
Read more about Charles Schulz and Peanuts, here in the TIME Vault: Good Grief
Contact us at editors@time.com.

bà lạc in los angeles where dì tư cô diệp moved and then married joe and have bobo who recently it is reported supposedly by dì ba cô diễm is not drinking milk and eating with regular gusto …

from Shakespeare’s King Lear:
EDGAR
What, in ill thoughts again? Men [“everyman“: humanity including both man and woman] must endure [“endure” has several shades of meaning … because the serpent’s tongue is forked {dahlia showed ba’c ty’ “new trick” of changing a spoon into a fork this morning} … the “ill thoughts” shade of meaning is “accept” what is fated what is unchangeable etc. … the “come on” meaning is {“outlast” or} “abides forever” such as for example ecclesiastes “the earth abides forever”: biblical “in the image” suggests that the sun too “abides forever” … for example previous note discussion of the midnight sun

The midnight sun

WHERE THE SUN NEVER SETS
Like a prolonged sunset and sunrise all at once, this natural phenomena colours heaven and earth in a reddish yellow light. Welcome to “the land of the midnight sun”.

Lighthouse at Slettnes in the midnight sun

SLETTNES, NORDKYN.
PHOTO: CHRISTOFFER ROBIN JENSEN
…………………………

WHAT IS THE MIDNIGHT SUN?

The midnight sun is a natural phenomenon that occurs during summer in places south of the Antarctic Circle and north of the Arctic Circle – including Northern Norway.

The earth is rotating at a tilted axis relative to the sun, and during the summer months, the North Pole is angled towards our star. That’s why, for several weeks, the sun never sets above the Arctic Circle.

Svalbard is the place in Norway where the midnight sun occurs for the longest period. Here, the sun doesn’t set between 20 April and 22 August.

…………………………….

It’s tempting to wonder about all the sights and experiences that have been made under the midnight sun through the ages – by people living off the sea in the Lofoten and Vesterålen archipelagos, or the Sami reindeer herders of the far north.

The phenomena has at least made a lasting impression on several Norwegian artists and writers. This excerpt is from Knut Hamsuns Pan (1894): “Night was coming on again; the sun just dipped into the sea and rose again, red, refreshed, as if it had been down to drink. I could feel more strangely on those nights than anyone would believe …”

Lofoten

LOFOTEN.
PHOTO: JØRN ALLAN PEDERSEN / VISITNORWAY.COM

Travel to the areas above the Arctic Circle in Norway and live these moments yourself: Doing a whale safari or exploring the wilderness inland takes on a new dimension at night in the summer months, when you literally get to see the nature and wildlife in a different light.

If you’re not afraid of the sometimes chilly summer nights in the north, you could try a midnight swim – or pitch your tent in the wild and stay up with the sun. Many sights and activities are open at night during these weeks, so you can go midnight golfing, cycling, river paddling, or sea kayaking – or maybe just find a quiet spot to fish.

If you travel to the Arctic islands of Svalbard, the sun doesn’t set between April and late August. Here, you can do a midnight walk on a glacier or look at the reddish sky from a moving dogsled, experiencing the unique climate and nature near the North Pole.

mapping relation function "you believe what you want to believe ..." Tom Petty and the Heartbreaker world K consisting of
mapping
relation
function
“you believe what you want to believe …” Tom Petty and the Heartbreaker
world K consisting of

previous notes suggest that like 1 corinthian 13 humanity might pass through life stages similar to human life stages and in one of these liffe stages of humanity it might so happen that humanity might be able to transcend all of the conditions supposedly prince siddartha the future buddha supposedly saw at the 4 gates to his palace and thus be able to realize the “abides forever” or “endure” forever condition … though previous notes pointed out because it is ‘the best of all possible worlds” and because entropy makes ‘sameness’ “boring” once [currently various cloning levels of the physical human is perhaps within reach; cloning of the human spirit/soul is something else; harry chapin song cat’s cradle] humanity have succeeded ‘abiding forever’ humanity might very well allow/submit itself to the illusion of {“sleep”}  ‘the sun sets and the sun also rises and there’s nothing new under the sun’ even though the sun has always ‘abided forever’ …

Bob Dylan’s “Forever Young”

ROD STEWART & RUBY STEWART FOR EVER YOUNG (SUBTITULADA)

]
10Their going hence even as their coming hither.
Ripeness [“ripeness” ~ “chín” ~ “china-home of ‘ren’ 人”] is all. Come on.

8 Simple Rules (originally 8 Simple Rules for Dating My Teenage Daughter for the first season) is an American sitcom comedy television show, originally starring John Ritter and Katey Sagal as middle-class parents Paul and Cate Hennessy raising their three children. Kaley Cuoco, Amy Davidson, and Martin Spanjers co-starred as their teenage kids; Bridget, Kerry, and Rory Hennessy. The series ran on ABC from September 17, 2002 to April 15, 2005. The first season focused on Paul being left in charge of the kids after Cate takes a full-time job as a nurse, with comedic emphasis on his often strict rules concerning his daughters and dating. The series' name and premise were derived from the book 8 Simple Rules for Dating My Teenage Daughter by W. Bruce Cameron.[1] https://en.m.wikipedia.org/wiki/8_Simple_Rules and https://en.m.wikipedia.org/wiki/8_Simple_Rules_(season_1) Summary Edit Non-free media information and use rationale – non-free video cover for 8 Simple Rules (season 1) Description This is the cover art of 8 Simple Rules: The Complete First Season. The cover art copyright is believed to belong to the publisher of the video or the studio which produced the video. Source It is believed that the cover art can or could be obtained from the publisher or studio. Article 8 Simple Rules (season 1) Portion used The entire front cover. Because the image is cover art, a form of product packaging, the entire image is needed to identify the product, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image. Low resolution? The copy is of sufficient resolution for commentary and identification but lower resolution than the original video cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork. Purpose of use Main infobox. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone. The image is placed in the infobox at the top of the article discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. Use for this purpose does not compete with the purposes of the original work, namely the video cover creator's ability to provide video cover design services and in turn marketing video to the public. Replaceable? As a video cover, the image is not replaceable by free content; any other image that shows the packaging of the video would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary. Other information Use of the video cover in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above. Licensing Edit This image is the cover of a videotape, DVD, Blu-ray, etc. and the copyright for it is most likely owned by either the publisher of the video or the studio which produced the video in question. It is believed that the use of low-resolution images of video covers to illustrate the videotape or disc in question on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation, qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information.
8 Simple Rules (originally 8 Simple Rules for Dating My Teenage Daughter for the first season) is an American sitcom comedy television show, originally starring John Ritter and Katey Sagal as middle-class parents Paul and Cate Hennessy raising their three children. Kaley Cuoco, Amy Davidson, and Martin Spanjers co-starred as their teenage kids; Bridget, Kerry, and Rory Hennessy. The series ran on ABC from September 17, 2002 to April 15, 2005. The first season focused on Paul being left in charge of the kids after Cate takes a full-time job as a nurse, with comedic emphasis on his often strict rules concerning his daughters and dating. The series’ name and premise were derived from the book 8 Simple Rules for Dating My Teenage Daughter by W. Bruce Cameron.[1]
https://en.m.wikipedia.org/wiki/8_Simple_Rules
and
https://en.m.wikipedia.org/wiki/8_Simple_Rules_(season_1)
Summary Edit
Non-free media information and use rationale – non-free video cover for 8 Simple Rules (season 1)
Description
This is the cover art of 8 Simple Rules: The Complete First Season. The cover art copyright is believed to belong to the publisher of the video or the studio which produced the video.
Source
It is believed that the cover art can or could be obtained from the publisher or studio.
Article
8 Simple Rules (season 1)
Portion used
The entire front cover. Because the image is cover art, a form of product packaging, the entire image is needed to identify the product, properly convey the meaning and branding intended, and avoid tarnishing or misrepresenting the image.
Low resolution?
The copy is of sufficient resolution for commentary and identification but lower resolution than the original video cover. Copies made from it will be of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the commercial purpose of the original artwork.
Purpose of use
Main infobox. The image is used for identification in the context of critical commentary of the work for which it serves as cover art. It makes a significant contribution to the user’s understanding of the article, which could not practically be conveyed by words alone. The image is placed in the infobox at the top of the article discussing the work, to show the primary visual image associated with the work, and to help the user quickly identify the work and know they have found what they are looking for. Use for this purpose does not compete with the purposes of the original work, namely the video cover creator’s ability to provide video cover design services and in turn marketing video to the public.
Replaceable?
As a video cover, the image is not replaceable by free content; any other image that shows the packaging of the video would also be copyrighted, and any version that is not true to the original would be inadequate for identification or commentary.
Other information
Use of the video cover in the article complies with Wikipedia non-free content policy and fair use under United States copyright law as described above.
Licensing Edit
This image is the cover of a videotape, DVD, Blu-ray, etc. and the copyright for it is most likely owned by either the publisher of the video or the studio which produced the video in question. It is believed that the use of low-resolution images of video covers
to illustrate the videotape or disc in question
on the English-language Wikipedia, hosted on servers in the United States by the non-profit Wikimedia Foundation,
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information.
just two rules short of bible moses [in the bullrushes: cat’s cradle above] 10 rules/commandments …

"Original first edition cover art of ""The Sun Also Rises."" The 1926 novel was written by American author Ernest Hemingway about a group of American and British expatriates who travel from Paris to the Festival of San Ferm?n in Pamplona to watch the running of the bulls and the bullfights. Scribner's published the novel on 22 October 1926. Its first edition consisted of 5090 copies, selling at $2.00 per copy. Cleonike Damianakes (b. 1895 - 1979) illustrated the dust jacket with a Hellenistic design of a seated, robed woman, her head bent to her shoulder, eyes closed, one hand holding an apple, her shoulders and a thigh exposed."
“Original first edition cover art of “”The Sun Also Rises.”” The 1926 novel was written by American author Ernest Hemingway about a group of American and British expatriates who travel from Paris to the Festival of San Ferm?n in Pamplona to watch the running of the bulls and the bullfights. Scribner’s published the novel on 22 October 1926. Its first edition consisted of 5090 copies, selling at $2.00 per copy. Cleonike Damianakes (b. 1895 – 1979) illustrated the dust jacket with a Hellenistic design of a seated, robed woman, her head bent to her shoulder, eyes closed, one hand holding an apple, her shoulders and a thigh exposed.”

Hemingway presents his notion that the “Lost Generation“—considered to have been decadent, dissolute, and irretrievably damaged by World War I—was in fact resilient and strong.[4]

The themes of The Sun Also Rises appear in its two epigraphs. The first is an allusion to the “Lost Generation“, a term coined by Gertrude Stein referring to the post-war generation;[note 2][28] the other epigraph is a long quotation from Ecclesiastes: “One generation passeth away, and another generation cometh: but the earth abideth for ever. The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose.”[29] Hemingway told his editor Max Perkins that the book was not so much about a generation being lost, but that “the earth abideth forever.” He thought the characters in The Sun Also Risesmay have been “battered” but were not lost.[4]

may “you’re ok/well; i’m ok/well” “muôn loài được bình thường lành mạnh sống lâu; everyone live well and long” …

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