12/13/2014 title: seemingly insignificant tiny details of uniqueness sai mo^.t ly ddi mo^.t da(.m butterfly effect that gives the universe tro+`i size shape instead of point singularity con co’c la` ca^.u o^ng tro+`i
[a couple of days ago post office asian man helpfully suggested upon post office india indian woman measuring toy box … : “the universe has size shape instead of is point singularity” … dave lowe and current movie “the theory of everything” … man with t-shirt “no substitute for quality” … sunday 12/14/2014 at grand century mall after bu’n bo` hue^’ annam and lion grocery and tofu and clothing store … girl sitting behind die^~m in food court eating noodle “qualitatively” resembles chi. chi’nh more then die^~m with her ma(‘t le’ eyes and tra’i xoan face instead of die^~m’s rectangle face … girl at jewelry store where to^n ddi.nh bought ring for phu+o+ng later used for die^~m knows die^~m and she resemble ye^’n …
ed deming on uncertainty principle and life
quality involves details …:
The Devil is in the detail
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Look up devil is in the details in Wiktionary, the free dictionary.
The idiom “the devil is in the detail” refers to a catch or mysterious element hidden in the details,[1] and derives from the earlier phrase “God is in the detail” expressing the idea that whatever one does should be done thoroughly; i.e. details are important.[1]
Origin[edit]
The idiom “God is in the detail;” has been attributed to a number of different individuals, most notably to German-born architect Ludwig Mies van der Rohe (1886–1969) by The New York Times in Mies’ 1969 obituary; however, it is generally accepted not to have originated with him. The expression also appears to have been a favorite of German art historian Aby Warburg (1866–1929), though Warburg’s biographer, E.M. Gombrich, is likewise uncertain if it originated with Warburg. An earlier form “Le bon Dieu est dans le détail” (the good God is in the detail) is generally attributed to Gustave Flaubert (1821–1880).[1] Bartlett’s Familiar Quotations lists the saying’s author as anonymous.[2] Google Ngram Viewer reveals that the phrase “the devil is in the details” does not appear in print before ca. 1975.
Variants[edit]
Due to common use, the phrase itself has a number of forms: (The / A) Devil (is) in the Detail(s). The original expression of “God is in the detail” most likely had the expression ending with “detail” (without an s), colloquial usage often ends the idiom as “details”; detail, without an s, can be used as both a singular and collective noun.[3]
More recently, the expressions “Governing (is) in the Detail(s)” and “(The) Truth (is) in the Detail(s)” have appeared.[1]
References[edit]
Bartlett, John, Bartlett’s Familiar Quotations: A Collection of Passages, Phrases, and Proverbs Traced to Their Sources in Ancient and Modern Literature, 17th ed., Little, Brown and Company, November 2002
Titelman, Gregory, Random House Dictionary of Popular Proverbs and Sayings, Random House Reference, March 5, 1996
1.^ Jump up to: a b c d Titelman, Gregory, Random House Dictionary of Popular Proverbs and Sayings, Random House Reference, March 5, 1996
2.Jump up ^ Bartlett, John, Bartlett’s Familiar Quotations: A Collection of Passages, Phrases, and Proverbs Traced to Their Sources in Ancient and Modern Literature, 17th ed., Little, Brown and Company, November 2002
3.Jump up ^ “Detail | Define Detail at Dictionary.com”. Dictionary.reference.com. Retrieved 2012-07-15.
from http://en.wikipedia.org/wiki/The_Devil_is_in_the_detail
]
vo^ gia ddi`nh translated by ha` mai anh …
Enfamil (a play on words of ‘infant meal’) is a brand of infant formula made by Mead Johnson. From 1972 through 2011, Mead Johnson used Beatrix Potter’s Peter Rabbit on its U.S. packaging. However, in 2012, the company transitioned to its signature duck across its U.S. Enfamil product line. Enfamil is a product name associated with formulas for babies. from http://en.wikipedia.org/wiki/Enfamil
supposedly father is visiting remo because remo sent him a christmas card … meanwhile, we went to san jose to buy rice today … we stopped by Bu’n Bo` Hue^’ An Nam 2 Restaurant where anh Anh dropped by briefly then on to lions grocery for the rice then stopped by a clothing store whose manager die^~m seems to know near previous cao nguyen restaurant and to^n ddi.nh bought some tofu desert from neighboring store …
anyway, dahlia looked inquiringly or rather wonderingly at ba’c ty’ this morning as though wondering before we drove to san jose … and, what follows is some rant on artworks in the utility bathroom to^nan used …
“Twinkle, Twinkle, Little Star” is a popular English lullaby. The lyrics are from an early 19th-century English poem, “The Star” by Jane Taylor. The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann. It is sung to the tune of the French melody “Ah! vous dirais-je, Maman”, which was published in 1761 and later arranged by Mozart [pbs tv showed amadeus when we returned home] for a famous set of variations.[1] The English lyrics have six stanzas, although only the first is widely known. It has a Roud Folk Song Index number of 7666.
from http://en.wikipedia.org/wiki/Twinkle_Twinkle_Little_Star
12/21/2014 co^ be^ and david lowe had just came to us from paris france and showed us a sample of a euro bill with arch architecture perhaps notre dame
ecclesiastes “the sun sets and the sun also rises”: the archs says crudely “what goes up must come down” … to use bob seger’s phrase, the trick is to make it “what goes up must come down and then must come up again and again and again … sustainably … eternally …” like the sun and the stars and the moon …. 12/22/2014 sun comes up today … and sun came up yesterday at breakfast at pleasanton place over mushroom … make up for mush strawberry at pancake place … jennifer from connecticut telephoned dave and co^ be^ and character resembling star of tv’s “life goes on” … cung con ca^.u kie^.m co^ nga in washington dc … [us five brothers names has “to^n” in them “to^n” ~ “raise”: on trip with ba` ngoa.i from new york to michigan during audrey thie^n hu+o+ng ~ heavenly fragrance gestation or pregnancy or delivery got the thought “oh please brother help us show that ‘earthly ways are not the only way are not the truth at least not the whole truth’: some say that it’s genetics … asian waitress versus blond haired versus brunett haired waitresses came … some say its heaven’s will … the sun rises out of the cloud upon portobellow mushroom being consumed … to^nan and waitresses open door to release gnat/fly and to get some sun tan as natural make up for their plain face without make ups … open door to laundry room because discovery that dryer is gas not totally electric … see previous notes on “the TAO”: others who have been “raised” “properly” know that it’s beyond the “crutches” of earth and heaven … it’s positively “crutchless” [every time you “blame” someone as the “source” or the “cause” whether the “source” is “earthly” or “heavenly” because of or using earthly or heavenly Russian “Pavlovian” “connect-the-dots” “chain reaction” “matches”/”rhymes”/”cues”/”sensibilities” you are missing the “raise” and the “point”: “the TAO that can be matched/rhymed/named/blamed is not the TAO” … it is “formless” …
christmas gift for “elder sister” and “younger sister” … “THIS arises; THAT arises” …
The Elder enlightened King Milinda with a discourse on Abhi-
dhamma: “Here in this world, great king, because of the eye and
because of visible objects arises the sense of sight; simultaneously are
produced contact, sensation, perception, thought, focussing of thoughts,
vitality, attention. Thus do these physical and mental states originate
from a cause, for there is no soul involved in any of them. Because of
the ear and because of sounds arises the sense of sound; because of
the nose and because of odors arises the sense of smell; because of the
tongue and because of flavors arises the sense of taste ; because of the
body and because of tangible obj ects arises the sense of touch. Because
of the mind and because of objects of thought arises mental conscious-
ness ; simultaneously are produced contact, sensation, perception,
thought, focussing of thoughts, vitality, attention. Thus do these
physical and mental states originate from a cause, for there is no soul
involved in any of them.” … and yet there must underlying “uniquenesses” that cause them to “change”/”transform” as though they have no “soul” … beatles’ “rubber souls” … to maintain the “uniqueness” of the “uniquenesses” …
“You are a clever man. Reverend Nagasena !”
from BUDDHIST PARABLES
TRANSLATED
FROM THE ORIGINAL PALI
BY
EUGENE WATSON BURLINGAME
FELLOW OP THE AMERICAN ACADEMY OF ARTS AND~SdENCES
LECTURER IN PALI (1917-19X8) AT YALE UNIVERSITY
from
Bản phổ thơ:
(Thích Nhất Hạnh)
Bồ Tát Quán Tự Tại
Khi quán chiếu thâm sâu
Bát Nhã Ba La Mật
(tức Diệu Pháp Trí Ðộ)
Bổng soi thấy năm uẩn
Ðều không có tự tánh
Thực chứng điều ấy xong
Ngài vượt thoát tất cả
Mọi khổ đau ách nạn.
Nghe đây Xá Lợi Tử:
Sắc chẳng khác gì không
Không chẳng khác gì sắc
Sắc chính thực là không
Không chính thực là sắc
Còn lại bốn uẩn kia
Cũng đều như vậy cả.
Xá Lợi Tử nghe đây:
Thể mọi pháp đều không
Không sanh cũng không diệt
Không nhơ cũng không sạch
Không thêm cũng không bớt
Cho nên trong tánh không
Không có sắc, thọ, tưởng
Cũng không có hành thức
Không có nhãn, nhĩ, tỷ
Thiệt, thân, ý (sáu căn)
Không có sắc, thanh, hương
Vị, xúc, pháp (sáu trần)
Không có mười tám giới
Từ nhãn đến ý thức
Không hề có vô minh
Không có hết vô minh
Cho đến không lão tử
Cũng không hết lão tử
Không khổ, tập, diệt, đạo
Không trí cũng không đắc
Vì không có sở đắc
Khi một vị Bồ Tát
Nương Diệu Pháp Trí Ðộ
(Bát Nhã Ba La Mật)
Thì tâm không chướng ngại
Vì tâm không chướng ngại
Nên không có sợ hãi
Xa lià mọi vọng tưởng
Xa lìa mọi điên đảo
Ðạt Niết Bàn tuyệt đối …. see discussion of note “what’s your hunger” in previous notes: to^n an would suggest that the state one gets oneself into by tha`nh ta^m tha^.t ta^m earnestly cha’nh nie^.m wishing for “muo^n loa`i ddu+o+.c bi`nh thu+o+`ng so^’ng la^u; everyone live long and well” is Nirvana Nie^’t Ba`n Nibbana … Nirvana Nie^’t Ba`n Nibbana is “muo^n loa`i ddu+o+.c bi`nh thu+o+`ng so^’ng la^u; everyone live long and well” …
Chư Bụt trong ba đời
Y Diệu Pháp Trí Ðộ
Bát Nhã Ba La Mật
Nên đắc vô thượng giác
Vậy nên phải biết rằng
Bát Nhã Ba La Mật
Là linh chú đại thần
Là linh chú đại minh
Là linh chú vô thượng
Là linh chú tuyệt đỉnh
Là chân lý bất vọng
Có năng lực tiêu trừ
Tất cả mọi khổ nạn
Cho nên tôi muốn thuyết
Câu thần chú Trí Ðộ
Bát Nhã Ba La Mật
Nói xong đức Bồ Tát
Liền đọc thần chú rằng:
Yết đế, Yết đế
Ba la Yết đế
Ba la Tăng yết đế
Bồ đề tát bà ha
from http://www.budsas.org/uni/u-kinh-bt-ngan/bntk.htm
father of jesus, joseph was a carpenter … at restaurant also …
“ninety nine luft balloons” dde`n trung thu squirrel free for dahlia
uncle dave and co^ be^ used to live in connecticut …
dahlia’s christmas present from ba` no^.i is happy’s pets toy … plush animals that move around and can be made to do trick such as “wiggle” with the remote control “treat” …
previous note on acid reflux says that when you “wiggle” and find your “wiggles” “frictionless” so that the “wiggles” are “returnable” and “equivalent” then you are on an “equilibrium path/pathway/curve/surface” … the “wiggles” are “[description of] approaches to equilibrium” …
… u2 with or without you in previous note suggests to to^nan that when face with choices the way to “mind your own business” is to do a “with or without” “wiggle” to remain “neutral” and leave all else to “act of god” … because after all your “soul” if any is associated with the characteristic of being an “in between” … that is, it is a formless/crutchless “average” of real crutchful/form things that might or might not coincide with a real crutchful/form thing …. “in between” the choices … meaning the “soul” if any is its own self either “with” one choice or “with” the other choice or “without” the first one choice … in the same “spirit” one should view these notes “with audience or without audience” the notes stand on their own selves apart from any intended audience … in the same “spirit” one should take the bible … the bible has a “spirit” that exists beyond/behind “with or without” the incidences related in the bible … for example [taking clues/cues from god forgiving adam and eve for their trespasses and noah’s ark giving the forgiven animal pairs a second chance and jesus lord’s prayer requesting forgiveness for trespasses: dave lowe might have said/suggested of to^nan this or previous visit “i thought you forget/forgive or don’t remember everything”] maybe in fact the “spirit” [ghosts and spies and specs] of the bible is “muo^n loa`i ddu+o+.c bi`nh thu+o+`ng so^’ng la^u; everyone live well and long” …
THE THREE CHARACTERISTICS AND THE UNCREATED
WHEN the Buddha was staying at the Veluvana, the bamboo grove at Rajagaha, he addressed the brethren thus: “Whether Buddhas arise, O priests, or whether Buddhas do not arise, it remains a fact and the fixed and necessary constitution of being that all conformations are transitory. This fact a Buddha discovers and masters, and when he has discovered and mastered it, he announces, publishes, proclaims, discloses, minutely explains and makes it clear that all conformations are transitory.
“Whether Buddhas arise, O priests, or whether Buddhas do not arise, it remains a fact and a fixed and necessary constitution of being, that all conformations are suffering. This fact a Buddha discovers and masters, and when he has discovered and mastered it, he announces, publishes, proclaims, discloses, minutely explains and makes it clear that all conformations are suffering.
“Whether Buddhas arise, O priests, or whether Buddhas do not arise, it remains a fact and a fixed and necessary constitution of being, that all conformations are lacking a self. This fact a Buddha discovers and masters, and when he has discovered and mastered it, he announces, teaches, publishes, proclaims, discloses, minutely explains and makes it clear that all conformations are lacking a self.”
And on another occasion the Blessed One dwelt at Savatthi in the Jetavana, the garden of Anathapindika. At that time the Blessed One edified, aroused, quickened and gladdened the monks with a religious discourse on the subject of Nirvana. And these monks grasping the meaning, thinking it out, and accepting with their hearts the whole doctrine, listened attentively. But there was one brother who had some doubt left in his heart. He arose and clasping his hands made the request: “May I be permitted to ask a question?” When permission was granted he spoke as follows:
“The Buddha teaches that all conformations are transient, that all conformations are subject to sorrow, that all conformations are lacking a self. How then can there be Nirvana, a state of eternal bliss?”‘
And the Blessed One, this connection, on that occasion, breathed forth this solemn utterance: “There is, O monks, a state where there is neither earth, nor water, nor heat, nor air; neither infinity of space nor infinity of consciousness, nor nothingness, nor perception nor non-perception; neither this world nor that world, neither sun nor moon. It is the uncreate. That O monks, I term neither coming nor going nor standing; neither death nor birth. It is without stability [sic: ?instability?], without change; it is the eternal which never originates and never passes away. There is the end of sorrow.
“It is hard to realize the essential, the truth is not easily perceived; desire is mastered by him who knows, and to him who sees aright all things are naught. There is, O monks, an unborn, unoriginated, uncreated, unformed. Were there not, O monks, this unborn, unoriginated, uncreated, unformed, there would be no escape from the world of the born, originated, created, formed. Since, O monks, there is an unborn, unoriginated, uncreated and unformed, therefore is there an escape from the born, originated, created, formed.”
from http://www.sacred-texts.com/bud/btg/btg27.htm
in previous notes it is suggested that this nibbana formless crutchless thing ia sort of a mathematical “average” [note nyquist revisited: “average” ~ “mathematical limit”] of real things that might or might not coincide with a real thing … in other notes the uncreated is refered to as the zero-footprint path …
] … sbtn thu`y du+o+ng and sbtn texas nga remembers gio^~ anh vie^.t dzu~ng …
ba’c nguye^~n thi. ru+o+.u quy`nh …] and “humbleness” is “stability” …
macbeth by shakespeare “I dare all that become a man who dares more is none” and lord byron quote to same effect in eugene o’neil’s a touch of the poet …
Khổng Phu Tử nói: “Tận nhân lực, tri thiên mệnh” nghĩa là hay cố gắng làm hết sức mình rồi thành bại thế nào mới biết được mệnh trời. …
The Master said, “At fifteen, I had my mind bent on learning.
“At thirty, I stood firm. “At forty, I had no doubts. “At fifty, I knew the decrees of Heaven. “At sixty, my ear was an obedient organ for the reception of truth.
“At seventy, I could follow what my heart desired, without transgressing what was right.” analect, part 2
from http://classics.mit.edu/Confucius/analects.1.1.html
– Giai đoạn 1: “Thập hữu ngũ nhi chí vu học” – nghĩa là 15 tuổi thì để hết tâm trí vào việc học; nói cách khác, thiếu thời cần tập trung vào việc tu dưỡng, xác định chí hướng và tích lũy kiến thức.
– Giai đoạn 2: “Tam thập nhi lập” – 30 tuổi lập thân, lập nghiệp – đã trụ vững, có nghề nghiệp, việc làm, có khả năng nuôi sống bản thân và gia đình, đã xác định vị trí của mình trong xã hội.
– Giai đoạn 3: “Tứ thập nhi bất hoặc” – 40 tuổi không còn mê hoặc, đến tuổi này thì đã chín chắn, lịch duyệt; có kiến thức và kinh nghiệm phong phú, nên đối với những việc diễn ra trong xã hội có chính kiến rõ ràng, kiên định, không còn nghi ngờ (bất hoặc).
– Giai đoạn 4: “Ngũ thập nhi tri thiên mệnh” – 50 tuổi thì biết rõ sứ mệnh của mình; đã nắm vững quy luật tự nhiên và xã hội, biết được xu thế của thời cuộc, nên công việc thường thuận lợi và dễ dàng đi đến thành công.
– Giai đoạn 5: “Lục thập nhi nhĩ thuận” – 60 tuổi thì không còn chướng tai gai mắt; do lý giải đúng căn nguyên của mọi việc diễn ra xung quanh và thấu hiểu nhân tình thế thái, nên dễ thông cảm và có thái độ khoan dung hơn – nhìn sự việc không còn thấy chướng tai gai mắt (thuận nhĩ); không như tuổi trẻ hiểu biết còn nông cạn, nên trước nhiều sự việc thường cảm thấy khó chịu, bực mình.
– Giai đoạn 6: “Thất thập nhi tòng tâm sử dục, bất du cửu” – Tới tuổi 70, cổ lai hy thì đạt đến cảnh giới đắc đạo tâm tính và đạo đã hợp nhất, mọi thứ đã thành bản năng nên nghĩ gì hay làm gì cũng đều hợp đạo, chẳng vi phạm phép tắc (bất du cửu = không vượt ra ngoài quy tắc).
Sáu giai đoạn cuộc đời do Khổng Tử đặt ra đã khái quát đầy đủ sự phát triển của con người theo thời gian – trên tất cả phương diện. Có thể nói, đó là một mô hình lý tưởng về sự phát triển đồng bộ – hài hòa – toàn diện của con người cùng với thời gian. Có lẽ chính vì vậy, cho dù hiện tại trong khoa học đã xuất hiện nhiều loại tuổi, mà chúng ta vẫn thích sử dụng đến loại tuổi này.
Thiên là một trong những từ Trung Quốc cổ xưa nhất về vũ trụ và là một khái niệm quan trọng trong thần thoại, triết học và tôn giáo Trung Hoa. Thời nhà Thương (thế kỷ 17-11 TCN) người Trung Quốc gọi vua của mình là thượng đế (上帝) hoặc đế; vào thời nhà Chu, khái niệm thiên (trời) bắt đầu được gắn với các vị vua. Trước thế kỷ 20, thờ cúng trời từng là quốc giáo của Trung Quốc.
Trong Đạo giáo và Nho giáo, thiên thường đi cùng với khái niệm địa (地) (đất). Hai mặt này của vũ trụ học là đại diện cho thuyết nhị nguyên trong Đạo giáo. Chúng được coi là hai trong Tam Giới (三界) của thực thể, với giới ở giữa là nhân (人, người).
from http://vi.wikipedia.org/wiki/Thi%C3%AAn
] … an attempt at extrapolating u2 song “with you or without you” in previous note …
dave also used an music id app to identify the song that were playing on mother’s tv on pbs kqued public television … see previous note nyquist revisited … there was a tv commercial of a kid using his cell phone to id music to a surprised adult …
La de da de dum, what’s the name of that song? Music ID apps, while not new, have proven extremely useful for those common moments when you want to identify (or just remember) a song you hear.
Two of the most popular music ID apps, Shazam and SoundHound, go beyond basic identification, adding features to help discover and share music. Both apps are available in free, ad-supported versions on multiple mobile platforms, including Android, iOS, and Windows Phone; or you can pay for an ad-free experience.
Rob Gonsalves is a Canadian painter of magic realism with a unique perspective and style. He produces original works, limited edition prints and illustrations for his own books. Wikipedia
Born: 1959, Toronto, Canada
see beowolf in previous note on nyquist revisited: wolf looked wondering at the twinkle twinkle little starry artificial lights … co’c ngo^`i dda’y gie^’ng coi tro+`i ba(`ng vung wondering if the starry lights know their [kho^ng ddo^.i tro+`i chung] place in the [ddo^.i tro+`i chung] darkness …
from https://www.pheromonegallery.com/ by Christopher Marley, owner of Form and Pheromone … form and pheromone lumens morpho sulkowski glass butterflies …
Sulkowsky’s Morpho (Morpho sulkowskyi) is a Neotropical butterfly. It is found in Colombia, Ecuador and Peru.Morpho sulkowskyi is a Tropical Andes cloud forest specialist (above 800 to 1,500 meters as high as 3500 meters). Morpho sulkowskyi and Morpho lympharis Butler, 1873 are the sole Morphos occupying this habitat. from http://en.wikipedia.org/wiki/Morpho_sulkowskyi
to^nddi.nh has artwork of framed glasswing butterflies … the butterflies are nearly identical in size shape and pattern …: twinkle twinkle little [godly] details that [kho^ng ddo^.i tro+`i chung] differentiate [shine a light on] one butterfly from another butterfly which butterflies otherwise would have been identical “ddo^.i tro+`i chung” [in movie amadeus salieri burns the cross claiming mozart play ddo^.i tro+`i chung or cross god … proud mary keeps on burning … ] … co’c ngo^`i dda’y gie^’ng coi tro+`i ba(`ng vung wondering if the little details know their place … butterfly effect … con sa^u la`m ra^`u no^`i/no^.i canh … though there were none in our soup at the restaurant in this morning …
also, …
ba’o tie^`n phong that to^nan used to read at nha` o^ng ba` ngoa.i used to have a tie^’t mu.c ti`m 7 ddie^?m kha’c nhau giu+~a hai tranh … see previous note on “plaids” …
stoppauseplayfastforwardrewindejectrecorddotnet 